American-born Swiss international artist Gwenneth Barth-White is a Maître Pastelliste of the 150-year-old Société des Pastellistes de France and has served as its Vice President for many years.
She's a Master Pastelist of the Pastel Society of America, and a Signature Member of the Portrait Society of America, where she has served as faculty.
Her work has been exhibited in Geneva, Gstaad, New York, Toronto, Paris, and in many French and American venues.
Vittorio Matteo Corcos returned in 1886 to Florence, where he painted the prominent and the fashionable portrait of a modern girl, Elena Vecchi, which has become the most emblematic image of the so-called Belle Epoque.
His most notorious portrait, however, was that of his mistress, Elena Vecchi, the daughter of a naval officer who carned his fame as Jack La Bolina, the author of popular adventure stories.
"Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.
Giovanni Battista Salvi called Sassoferrato (1609-1685) | The Madonna in prayer | Christie's
Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.
His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.