• "I've always painted pictures in which human love floods my colors".
• "Love and fantasy, go hand in hand".
Egisto Lancerotto | Genre painter
Egisto Lancerotto (August 21, 1847 - May 31, 1916) was an Italian painter**, mainly of genre scenes of Venice.
He was born in Noale. His father, a bureaucrat in that town, was transferred to Venice when Egisto was young. Lancerotto attended the Venetian Accademia di Belle Arti, where his professors were Napoleone Nani, Michelangelo Grigoletti, Federico Moja and Pompeo Marino Molmenti. The latter was likely his strongest influence.
Carmen Giraldez, 1976 | Conceptual painter
Carmen Giraldez was born in Barcelona, Spain.
Carmen acquired her interest in art, and especially painting, from her father who is an avid collector and also a painter.
Her early childhood training was “at his knees” as she likes to say.
Toshio Ebine 海老根俊雄, 1978 | Romantic Fantasy painter
Japanese painter Toshio Ebine** creates vast, windswept scenes full of balloons, lone animals, and a sense of odd foreboding in what should, by rights, be sweet illustrations for children's books.
For biographical notes -in english and italian- and other works by Ebine see:
Paris Bordone | High Renaissance painter
Paris Bordóne, in full Paris Paschalinus Bordone, Bordone also spelled Bordon, (born c. 1500, Treviso, Republic of Venice [Italy] - died Jan. 19, 1571, Venice), Renaissance Venetian painter of religious, mythological, and anecdotal subjects. He is perhaps best known for his striking sexualized paintings of women.
After his father’s death, Bordone moved with his mother to Venice. He probably became a pupil of Titian about 1516 but remained in his workshop for under two years.
José de Ribera | Baroque Era painter
José de Ribera** (1591-1652) was born in Spain, at Játiva near Valencia, and probably received his training there under Francisco Ribalta.
He moved soon afterwards to Italy and following a period in Rome settled in Naples in 1616.
Ribera became well known for the realism of his treatment of violent subjects such as 'The Martyrdom of Saint Bartholomew' and 'The Flaying of Marsyas' (Pitti, Florence, and Museo di San Martino, Naples, respectively), but he also painted genre scenes and religious subjects in a refined classical mode characterised by a rich palette.| © The National Gallery, Trafalgar Square, London
Luca Giordano | Court painter in Spain, 1692-1702
Luca Giordano** (1634-1705) was the leading Neapolitan painter of the later 17th century.
He was born in Naples and was trained by Ribera.
He was known as Fa Presto ('does it quickly') because of his speed of painting. His work influenced developments in 18th century art in Naples and elsewhere in Italy.
His style was formed by his experience of Neapolitan art (dominated by the work of Caravaggio), and by his knowledge of the leading Roman painters of the early 17th century notably Annibale Carracci, Pietro da Cortona, and the great Venetian artists of the 16th century.
Luca Giordano | Stile artistico
Luca Giordano (Napoli, 1634-1705) è stato un pittore Italiano, attivo soprattutto a Napoli, Madrid, Firenze, Venezia e Roma.
Fu uno dei principali esponenti della pittura napoletana del Seicento, assieme a Jusepe de Ribera, Salvator Rosa, Battistello Caracciolo, Massimo Stanzione, Bernardo Cavallino, Aniello Falcone, Andrea Vaccaro e Mattia Preti, nonché uno dei più influenti esponenti del barocco europeo.
La parabola evolutiva artistica del pittore si estende su più di 50 anni di carriera, nella quale assimila e rielabora influenze da tutte le principali correnti pittoriche secentesche.
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