Wislawa Szymborska | Because it was only love / Perché era amore solamente

Cademmo nell’abbraccio,

ci separammo dal mondo,

non sapevamo se eravamo due corpi

o due anime

o un corpo e un’anima

o se semplicemente

non eravamo

Jeff Rowland

Fred Stead | Landscape / Genre painter

Frederick 'Fred' Stead (1863-1940) was born in Shipley, Yorkshire in August 1863.

He studied initially at the Shipley School of Art before being awarded a scholarship to The Royal Cambrian Academy.

Stead gained a reputation as portrait painter of the rich and wealthy of Bradford and became the Chairman of the Society of Yorkshire Artists.

Marc Chagall | Stained glass windows

One of Chagall's major contributions to art has been his work with stained glass. This medium allowed him further to express his desire to create intense and fresh colors and had the added benefit of natural light and refraction interacting and constantly changing: everything from the position where the viewer stood to the weather outside would alter the visual effect (though this is not the case with his Hadassah windows).

It was not until 1956, when he was nearly 70 years of age, that he designed windows for the church at Assy, his first major project. Then, from 1958-1960, he created windows for Metz Cathedral.

Titian | High Renaissance painter

Titian (Tiziano Vecelli or Vecellio, known in English as Titian, ca. 1485-1576) was the greatest painter of 16th-century Venice, and the first painter to have a mainly international clientele.

During his long career, he experimented with many different styles of painting which embody the development of art during his epoch.

Youth and debut

Titian (Tiziano Vecellio) was born in Pieve di Cadore, a small town at the foot of the Dolomites on the Venetian side of the Alps.

The Vecellios had been based in Cadore since the 14th century. Titian’s father, Gregorio, was a military man. His older brother Francesco was also a painter.

There is still no documentary evidence of Titian’s exact date of birth, but contemporary sources and his early stylistic development suggest that he was born around 1490.

William Shakespeare | Quando quaranta inverni assedieranno la tua fronte..

When forty winters shall beseige thy brow | Sonnet II

When forty winters shall beseige thy brow,

And dig deep trenches in thy beauty's field,

Thy youth's proud livery, so gazed on now,

Will be a tatter'd weed, of small worth held:

Then being ask'd where all thy beauty lies,

Where all the treasure of thy lusty days,

To say, within thine own deep-sunken eyes,

Were an all-eating shame and thriftless praise.

Frank Benson | Eleanor and Benny, 1916

William Shakespeare | Alle meraviglie del creato noi chiediam progenie

From fairest creatures we desire increase | Sonnet I

From fairest creatures we desire increase,

That thereby beauty's rose might never die,

But as the riper should by time decease,

His tender heir might bear his memory:

But thou, contracted to thine own bright eyes,

Feed'st thy light'st flame with self-substantial fuel,

Antonio Frilli | Romeo and Juliet (detail)

Paul Delaroche | The Execution of Lady Jane Grey, 1833

"I am assured that I shall, for losing of a mortal life, win an immortal life" - Lady Jane Grey, February 1554.

Since its rediscovery in 1973 and first exhibition at the National Gallery two years later, Paul Delaroche’s The Execution of Lady Jane Grey, 1833, has become one of the nation’s best-loved paintings.

For the first time, 'Painting History' examines this iconic masterpiece in the context of Delaroche’s great historical paintings, particularly the poignant scenes from English history which made his reputation.

The exhibition features seven major international loans of paintings by Delaroche including 'The Princes in the Tower', 1830 and 'Young Christian Martyr', 1854-5 (both Louvre), and 'Strafford on his way to Execution', 1835 (private collection).

Carlo Maria Mariani, 1931 | Metaphysical painter

Carlo Maria Mariani is an Italian painter. His paintings are rooted both in Neoclassicist theory and modernism.

In the 1970s he defended his choice of medium from attacks by art critics by making parallels between the melancholy for the past of neoclassicism and the then trendy conceptual art.

He received international attention in the 1980s with what was called pittura colta ("cultivated painting") and la Nuova Maniera ("The New Style") in Italy, in which he employed old subjects and styles.

Among other things he depicted Andy Warhol as Napoleon and made "improved" and "corrected" versions of works by Leonardo da Vinci and Raphael.