Ed Sandoval | Romantic painter

Ed Sandoval was born in Nambe, New Mexico, to a prominent Spanish family.

Hespent the childhood with a foot in two worlds; on his family’s ranch in Nambe and in Los Alamos, where his father worked as an engineer.

Benefiting from a great education both Academically and in the Arts, Ed graduated from Los Alamos High School, before earning his B.A in Fine Arts from Eastern New Mexico University.

He received a Masters Degree in Psychology from the University of Utah and after teaching Art there, for two years, he returned to Northern New Mexico where he headed up the Art Department at Los Alamos High School for almost a decade.

Alois Arnegger | Romantic scene painter

Alois Arnegger (1879-1967) was an Austrian painter.

Arnegger was born in Vienna. He developed his skills training at the Vienna Academy of Fine Arts under landscape artist Robert Russ (1867-1922) and historical artist August Eisenmenger (1830-1907).

Arnegger established a reputation as a fine portraitist and landscape artist, and was particularly well known for his Austrian snow scene paintings.

Bob Pejman, 1963 | Romantic painter

"There are no people in my paintings, so you can imagine yourself in the scenes", explains the artist.

Born in Vienna, Bob Pejman was surrounded by art and culture from an early age.

The son of an operatic composer and a concert musician, he spent his early childhood in Vienna, and then by way of England moved to the United States in 1976.

Pejman began painting by the age of seven, and by the time he was sixteen he had won numerous awards in group exhibitions.

Peder Mørk Mønsted (1859-1941)

Danish painter Peder Mørk Mønsted was born in Balle Mölle, near Grenna in eastern Denmark on 10th December 1859.

He studied at the Prince Ferdinand’s Drawing School, Aarhus where he studied under Andries Fritz (1828-1906), a landscape and portrait painter, before moving to Copenhagen.

Here he studied at the Royal Academy of Art between 1875-1878, and was taught figure painting by Julius Exner (1825-1910).

M. and I. Garmash | Romantic Impressionist painters

Michael and Inessa Garmash have created beautiful paintings, stained-glass windows, mosaics and drawings exhibited all over Europe.

Michael Garmash began a painting of their daughter for a project at school several years after their marriage.

However, their two-year-old found the painting during his absence and painted her own version of the subject.

Inessa Garmash, not wanting Michael to be upset, fixed the painting, packed it up and gave it to him to submit.

Michael handed the painting over for review and was told it was his best work ever.

Michelangelo | The young Saint John the Baptist, 1495-1496

The biographies of Michelangelo by Vasari (1550) and Condivi (1553) recount that following the artist’s return to Florence from Bologna in 1495, his first commission was for a marble sculpture of a “San Giovannino” for Lorenzo di Pierfrancesco de’Medici (cousin of Lorenzo the Magnificent), now identified as the present work.

Rather than following the model of Donatello’s Saint John the Baptist (Florence, Museo del Bargello) as other Florentine sculptors had done, Michelangelo depicted the Baptist as much younger, no more than a boy of six or seven.

Eugène Delaplanche | Figurative sculptor

Eugène Delaplanche (28 February 1836 - 10 January 1891) was a French sculptor, born at Belleville, Seine.

He was a pupil of the neoclassical sculptor Francisque Joseph Duret (French, 1804-1865), gained the Prix de Rome in 1864 (spending 1864-67 at the Villa Medici in Rome), and the medal of honor° in 1878.

Why the Michelangelo's David statue is so famous?

David is a masterpiece of Renaissance sculpture created between 1501-1504 by Michelangelo.

It is a 5.17-metre (17.0 ft)[a] marble statue of a standing male.

The statue represents the Biblical hero David, a favoured subject in the art of Florence.

Originally commissioned as one of a series of statues of prophets to be positioned along the roofline of the east end of Florence Cathedral, the statue was placed instead in a public square, outside the Palazzo della Signoria, the seat of civic government in Florence, where it was unveiled on 8 September 1504.