Roger Suraud | Symbolist painter

French painter and sculptor Roger Suraud (1938-2016) was born in Saint-Étienne.

The Suraud's painting are a grand spectacle where music travels with Sculpture and Architecture.

Suraud is represented in many exposures and international living rooms: Paris, Genève, Monaco, Lyon, Bordeaux, Saint-Tropez.

Federico García Lorca | Potessero le mie mani sfogliare la luna

Pronunzio il tuo nome

nelle notti scure,

quando sorgono gli astri

per bere dalla luna

e dormono le frasche

delle macchie occulte.

Leon Wyczolkowski

Pablo Neruda | In Te la terra / In you the Earth

Marc Chagall, 1927

Piccola

rosa,

rosa piccina,

a volte,

minuta e nuda,

sembra

Felice Casorati | Magic Realism painter

Born in Novara, Felice Casorati (1883-1963) spent his formative years in Padua, where he developed an interest in music and literature.

He began to paint in 1902, and read law at the University of Padua, graduating in 1906, while frequenting the studio of Giovanni Viannello (1873-1926).

Casorati's early paintings were in the symbolist mode of the Vienna Secession.

His adherence to this style was strengthened by seeing Klimt's installation at the 1910 Venice Biennale, where he met the Austrian painter.

Leonardo da Vinci | Pittore che disputa col poeta

Trattato della Pittura - Parte prima /14

Qual poeta con parole ti metterà innanzi, o amante, la vera effigie della tua idea con tanta verità, qual farà il pittore?

Quale sarà quello che ti dimostrerà i siti de' fiumi, boschi, valli e campagne, dove si rappresentino i tuoi passati piaceri, con più verità del pittore?

Marty Bell | Vintage style painter

With her passion for beauty, color and style, American painter Marty Bell [1931-2003] was a prolific and influential artist. Her work has been internationally collected and she enjoyed the respect of both her peers and fine art collectors.
In her lifetime, Marty painted more than 3,000 oil paintings ranging from old English cottages and California landscapes to impressionistic pieces and colorful still lifes.

Leon Richman ~ Figurative sculptor

Beginning in medium to large-scale marble figures, his passion to explore the beauty of the human form in all dimensions soon led him to a more pliable medium, allowing more freedom in the creative process. The result has been an inspired body of work, each piece possessing its own unique spirit and personality.
Leon Richman is a California artist with a formal education from the renowned Art Center College of Design in Pasadena, and years of practical experience in the field of commercial art, but his soul and passion have always been deeply rooted in the finer arts. He has almost as many years experience in drawing and painting as he’s been living and breathing. Now he has directed his creative ambitions towards the art of sculpture.
Chosen to study under the tutelage of the internationally acclaimed sculptor Richard MacDonald, Leon Richman has since become even more skillful at the physical interpretation of the human spirit, not settling for a simple duplication of a posing body, but instilling his sculptures with the same passion he feels in their creation.

Eva Gonzalès | Les grandes dames of Impressionism

Eva Gonzalès (1849-1883) was a French Impressionist painter.

She was one of the four most notable female Impressionists in the nineteenth century, along with Mary Cassatt (1844-1926), Berthe Morisot (1841-95) and Marie Bracquemond (1840-1916).

Gonzalès began her professional training and took lessons in drawing in 1865, from the society portraitist Charles Chaplin, who was also Mary Cassatt's teacher.

Martin Johnson Heade and the Hudson River School

Art historians have come to disagree with the common view that Martin Johnson Heade (-1819-1904) is a Hudson River School painter, a view given wide currency by Heade's inclusion in a landmark exhibition of Hudson River School landscapes at the Metropolitan Museum of Art in 1987.

The leading Heade scholar and author of Heade's catalogue raisonne, Theodore E. Stebbins, Jr., wrote some years after the 1987 Hudson River School exhibition that "...other scholars-myself included-have increasingly come to doubt that Heade is most usefully seen as standing within that school".