Léon Pilet | Un Coup de vent, 1888

Léon Pilet (1836-1916) was a French sculptor and medalist, known for his classical subjects in bronze.

Pilet also produced male and female figurines from clay, marble and ivory. Many of his works depict religious as well as historical figures.

Pilet presented "Le Coup de vent" during the Paris Universal Exposition of 1888, now at the Musée Granet - Aix-en-Provence.

The artist continued to exhibit at the Salon from 1861 to 1914.

Emanuel Phillips Fox (1865-1915)

Emanuel Phillips Fox was an Australian impressionist painter.

After studying at the National Gallery of Victoria Art School in Melbourne, Fox travelled to Paris to study in 1886 and enrolled at the Académie Julian, where he gained first prize in his year for design, and École des Beaux-Arts (1887-90), where his masters included William-Adolphe Bouguereau and Jean-Léon Gérôme, both among the most famous artists of the time.

Giorgos Seferis | A word for Summer / Una parola sull'Estate, 1936

We’ve returned to autumn again; summer,

like an exercise book we’re tired of writing in, remains

full of deletions, abstract designs,

question marks in the margin; we’ve returned

to the season of eyes gazing

into the mirror under the electric light

closed lips and people strangers

in rooms in streets under the pepper-trees

while the headlights of cars massacre

thousands of pale masks.

Isaac Levitan (Russian landscape painter, 1860-1900) | Spring in Italy

Atsushi Koyama, 1978 | Humans and Machines

Born in Tokyo, Atsushi Koyama / 小山 篤 is a visual artist from Japan. He holds both a BFA in art from Tama Art University and a Bachelor’s degree in mathematics from Tokyo University of Science in 2008.

Koyama’s work clearly uses the backgrounds of his tutelage as he beautifully blends anatomical illustration with mechanical diagrams.

METAMACHINE is his collaborative project at the border of visual art and electronic music.

Although the meaning behind these oil paintings by Atsushi Koyama is somewhat ambiguous, it’s easy to appreciate the exactness of his paintbrush that colorfully and elegantly depicts mechanical diagrams mixed with anatomical illustrations.

Mozart: "The music is not in the notes, but in the silence between"

• "A man of ordinary talent will always be ordinary, whether he travels or not; but a man of superior talent will go to pieces if he remains forever in the same place".

• "Un uomo di talento ordinario sarà sempre ordinario, che viaggi o no; ma un uomo di talento superiore andrà in pezzi se rimane per sempre nello stesso posto".

• "Melody is the essence of music".

• "La melodia è l'essenza della musica".

Barbara Krafft | Portrait of Wolfgang Amadeus Mozart, 1819 (detail)

Carl Schweninger | Genre painter

Carl Schweninger the Younger (1854-1912) was an Austrian painter.

Carl Schweninger was born in Vienna, Austria and came from a Viennese artist family.

He was the son of the painter Carl Schweninger the Elder (1818-1887) and brother of the painter Rosa Schweninger (1818-1918).

Severin Nilsson | Genre painter

Johan Severin Nilsson (1846-1918) was a Swedish painter and photographer.

Nilsson was born in Asige Parish, Halland. His father was a blacksmith.

In 1865, at the age of eighteen, he enrolled as a student at the Royal Swedish Academy of Arts in Stockholm; graduating in 1871.

While there, he and Ernst Josephson became good friends.

Ulpiano Checa y Sanz | Orientalist painter

Ulpiano Checa y Sanz (1860-1916) was a Spanish painter, sculptor, poster designer and illustrator, known in the art world as Ulpiano Fernández-Checa y Saiz.

He used both impressionistic and academic techniques, and painted mainly historical subjects.

Checa participated in numerous Salons of Paris and in many of them was awarded.

He studied at the Academy of fine arts of San Fernando in Madrid, where he was student of Federico de Madrazo, Alejandro Ferrant, Manuel Domínguez and Pablo Gonzalvo.

Philip Hermogenes Calderon | The Orphans, 1870

Philip Hermogenes Calderon (1833-1898) was a British painter of Spanish and French descent.

His father, at one time a Roman Catholic priest, was Professor of Spanish Literature at King's College, London.

Calderon studied at James M. Leigh's school in London in 1850, then in Paris at the studio of François-Edouard Picot.

He lived near by in Montmartre, sharing a room with fellow art student Henry Stacy Marks.