Master of the Female Half-Lengths | Renaissance painter

The Master of the Female Half-Lengths, active ca.1530-1540, was a Dutch Northern Renaissance painter* or likely a group of painters of a workshop.

The name was given in the 19th century to identify the maker or makers of a body of work consisting of 67 paintings to which since 40 more have been added.

The works were apparently the product of a large workshop that specialized in small-scale panels depicting aristocratic young ladies at half-length.

Gerard ter Borch | Baroque painter

Gerard Terborch, Terborch also spelled Ter Borch or Terburg (1617-1681), Dutch Baroque painter who developed his own distinctive type of interior genre in which he depicted with grace and fidelity the atmosphere of well-to-do, middle-class life in 17th-century Holland.

Terborch’s father had been an artist and had visited Rome but from 1621 was employed as a tax collector.

Van Gogh | Saintes-Maries (series)

Saintes-Maries is the subject of a series of paintings that Vincent van Gogh made in 1888.

When Van Gogh lived in Arles, he took a trip to Saintes-Maries-de-la-Mer on the Mediterranean sea, where he made several paintings of the seascape and town.

The work he produced in Saintes-Maries took on a more experimental and expressive style than his earlier work.

Over the course of his visit, Van Gogh made two paintings of the sea, one of the village, and nine drawings.

Vincent van Gogh | Small bottle with peonies and blue delphiniums, 1886

Vincent van Gogh began experimenting with color in his still life flower series.

By the summer of 1885, the artist created some 40 paintings with a traditional approach, meaning that the flowers were in a vase and placed in the center of the canvas.

His 1886 painting Small Bottle with Peonies and Blue Delphiniums, done with oil on painter's board -a cheaper material than canvas-, from the Gemeente Museum collection, is one of them.

Flowers became the subject of many of the artist's works during this period.

But after painting over 10 species in mid-September, he sought out other subjects including fruit, shoes, fish and budding flower bulbs.

Vincent van Gogh | Small bottle with peonies and blue delphiniums, 1886 | Van Gogh Museum, Amsterdam

Johan Barthold Jongkind | Impressionist painter

Johan Barthold Jongkind (1819-1891) painter and printmaker whose small, informal landscapes continued the tradition of the Dutch landscapists while also stimulating the development of Impressionism.

Jongkind first studied under local landscape painters at The Hague.

In 1846 he moved to Paris and worked under the genre painter Eugène Isabey and François Picot.

Vincent van Gogh | Sunflowers series

Sunflowers (original title, in French: Tournesols) are the subject of two series of still life paintings by the Dutch painter Vincent van Gogh.

The earlier series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, executed a year later in Arles, shows bouquets of sunflowers in a vase.

In the artist's mind both sets were linked by the name of his friend Paul Gauguin, who acquired two of the Paris versions.

Vincent van Gogh | Sunflowers, 1887 | National Gallery, London

Johannes Vermeer | Baroque Era painter

The life and art of Johannes Vermeer (1632-1675) are closely associated with the city of Delft.

He was born in Delft in 1632 and lived there until his death in 1675.

His father, Reynier Vermeer, was a silk weaver who produced caffa, a fine satin fabric, but in 1631 he also registered in the Saint Luke’s Guild in Delft as a master art dealer.

By 1641 he was sufficiently prosperous to purchase a large house, the “Mechelen”, which contained an inn on the market square in Delft and from which he probably also sold paintings.

Johannes Vermeer | Lady with Her Maidservant Holding a Letter, 1667

Lady with Her Maidservant Holding a Letter is a painting produced by Jan Vermeer (Delft, 1632-1675), now in the Frick Collection in New York City.

The work of Johannes Vermeer (also known as Jan), is well known for many characteristics that are present in this painting.

The use of yellow and blue, female models, and domestic scenes are all signatures of Vermeer.

This oil on canvas portrays two women, a Mistress and her Maid, as they look over the Mistress' love letter.

Mistress and Maid was painted over the years 1666-1670 on a canvas.

The painting shows an elegant mistress and her maid as they look over a love letter that the mistress just received.

Willem Haenraets, 1940 | Romantic lovers

Willem Haenraets was born in Rotterdam on October 9, 1940 and his talent was discovered at an early age.

When he was 16 years old, he started his education at the Academy of Arts in Maastricht.

Four years later he obtained a scholarship from the Belgian Government to study at the National Institute for Fine Arts in Antwerp, in the Master class of professor Sarina (Atelier Opsomer) and professor Vaarten.

André Rieu | Strauss party

André Léon Marie Nicolas Rieu (1 October, 1949) is a Dutch violinist and conductor best known as the founder of the waltz-playing Johann Strauss Orchestra.

André Rieu has legions of fans worldwide and his performances have become major events in the calendar that are always guaranteed to sell out.

André Rieu tours Europe and the USA constantly and has also toured Australia and the Far East regularly.

Bernard Blommers | Goodbye father, 1885

Bernardus Johannes (Bernard) Blommers (1845-1914) was a Dutch etcher and painter of the Hague School.

He learned lithography early in his career, and then studied at the Hague Akademie under Johan Philip Koelman until 1868.

His early paintings were mostly genre works depicting fishermen and their wives, heavily influenced by Jozef Israëls.

Ary Scheffer | Romantic painter

Ary Scheffer (1795-1858) was a Dutch-French Romantic painter.

Scheffer was the son of Johan Bernard Scheffer (1765-1809), a portrait painter born in Homberg upon Ohm or Kassel who had moved to the Netherlands in his youth, and Cornelia Lamme (1769-1839), a portrait miniature painter and daughter of the Dordrecht landscape painter Arie Lamme, after whom Arij (later Ary) was named.

Vincent van Gogh | A Walk at Twilight, 1889-1890

A Walk at Twilight or Landscape with Couple Walking and Crescent Moon is an intriguing composite of common themes found in works throughout Van Gogh's career, but at the same time some specific characteristics set it aside from other paintings.

Olive trees and cypresses are often portrayed in paintings from Van Gogh's Saint-Rémy period.

But the trees in Landscape with Couple Walking and Crescent Moon are less imposing and less intricately detailed.

Van Gogh's cypresses are famous, but those seen in the current work appear in the distance almost as an afterthought, lacking the majesty and turbulence that so often characterize Van Gogh's cypress trees.

Jan Bogaerts (Dutch, 1878-1962)

Johannes Jacobus Maria (Jan) Bogaerts was an artist from Netherlands.

Born in the Dutch city of 's-Hertogenbosch, in the province of North Brabant, Bogaerts attended the Koninklijke School voor Nuttige en Beeldende Kunsten in his birth city between 1893 and 1899.

He spent four years working in the studio of the fin-de siècle artist Antoon van Welie (1866-1956) and also received tutelage from him at the Den Bosch academy from 1897 until 1899.

Under his influence, Bogaerts painted figures, portraits, landscapes, parks, gardens and castle grounds in a symbolistical manner.

Van Gogh's starry skies

"At present I absolutely want to paint a starry sky.

It often seems to me that night is still more richly coloured than the day; having hues of the most intense violets, blues and greens.

If only you pay attention to it you will see that certain stars are lemon-yellow, others pink or a green, blue and forget-me-not brilliance.

And without my expatiating on this theme it is obvious that putting little white dots on the blue-black is not enough to paint a starry sky" - Vincent van Gogh, Letter to Wilhelmina van Gogh, the sister, written 9 and 16 September 1888 in Arles.

Vincent van Gogh | Starry Night Over the Rhône, 1888 | Musée d'Orsay, Paris

Johannes Vermeer | The Milkmaid / La Lattaia, 1657-1658

The Milkmai was painted by Johannes Vermeer in about 1657-58.

The small picture (18 x 16 1/8 in., or 45.5 x 41 cm) could be described as one of the last works of the Delft artist’s formative years (ca. 1654-58), during which he adopted various subjects and styles from other painters and at the same time introduced effects based on direct observation and an exceptionally refined artistic sensibility.

Influenced by the detailed realism of Gerrit Dou (1613-1675) and his followers in Leiden, Vermeer created his most illusionistic image in The Milkmaid (Rijksmuseum, Amsterdam, SK-A-2344).

Cecil van Haanen | Genre painter

Cecil van Haanen (1844-1914) was a Vienna-born Dutch portrait and genre painter, whose significant work was centred at Venice.

Van Haanen was the son to landscape painter Remigius Adrianus Haanen (1812–1894) and Emilie Mayer von Alsó-Rußbach.

He received early artistic training from his father and Friedrich Schilcher, and from April 1854 was educated at the pre-school of the Vienna Academy under Peter Johann Nepomuk Geiger.

Van Gogh's flowers

Vincent van Gogh was a flower fan!

It all began in Paris, where he lived for two years (1886-88).

During his time there, he noticed that flower still lifes sold well.

Some French artists even specialised in painting flower still lifes.

Van Gogh started painting flower still lifes in the hope they would sell well.

Vincent van Gogh | Bouquet of Flowers in a Vase, 1890 | Metropolitan Museum of Art

Rembrandt van Rijn | Woman with a Pink, early 1660

Her forehead crisscrossed with jewels, the sitter of this portrait displays a pink, or carnation, a symbol of love and marriage.

The gilt picture frame visible in the background locates her in a luxurious interior, but her pensive expression elevates the portrait beyond a mere statement of status.

If scholars are correct in identifying the sitter in the pendant portrait hanging next to this one as auctioneer Pieter Haringh, then the woman who appears here must be his wife, Elisabeth Delft. | Source: © Metropolitan Museum of Art

Rembrandt | Woman with a Pink, early 1660s | Metropolitan Museum of Art

Rembrandt's 'recipe for a stopping-out varnish'

Rembrandt's 'recipe for a stopping-out varnish' on the verso of a drawing 'Landcape with a River and Trees', 1654-55.

• "..in order to etch, take white turpentine oil, and add half the turpentine to it; pour the mixture into a small glass bottle and let it boil in pure water for half an hour".

It is evident that Rembrandt refers (alas fragmentarily) to a so-called 'stopping-out varnish', used to terminate the bite of acid in select areas of a plate that had already been exposed to the etching agent.

Thus other portions will remain exposed to the acid to deepen the bite.