Cecelia Webber ~ Human Flowers

Webber was born in a forest town of only 1,500 people and spent much of her childhood in fields catching orange salamanders. She was a shy, socially awkward child who enjoyed reading and spent hours searching for small fairy creatures in abandoned maple sugar huts and dilapidated stonewalls.

Joadoor | The Lord of the Desert

Joadoor, two Dutch painters, Ger Doornink and Hans-Jochem Bakker, became fascinated with vanished cultures, the ancient Classics and the mysticism of the Pharaohs during his extensive travels around the world.

Together, Joadoor explore ancient and classical art styles and develop new, contemporary images that are distinctively Joadoor.

Audrey Marienkoff, 1980

Marienkoff est une jeune artiste peintre au parcours atypique. Prothésiste dentaire, il y a quelques années encore, elle profitait de son temps libre pour peindre. Mais la passion est tenace, attirée par le dessin depuis son plus jeune âge, elle a décidé, un beau jour, de vivre de la peinture et des arts plastiques. Depuis elle a laissé les prothèses dentaires, pour faire place aux pinceaux et toiles, et en fait désormais sa profession.

Mollie Kellogg | Magical Mystical painter

California-based artist and film-maker Mollie Kellogg’s award-winning Incognito Witch Project, celebrating hidden magick, is described by Mz Urban Art in New York City as "An American painter who births wonderfully mystic personalities on her heavily textured canvases".

Art appraiser Corinne Cain observes: "The metallic pigments together with superior drawing skills enable a three-dimensionality not accomplished by others".

Citing the closest comparison to another artist's work as Alfred Leslie, she adds, "Leslie’s portrait expressions relate to some of Kellogg's works, but they lack the depth and three-dimensionality, not to mention the glitter and thick paint/pigment application".

Irene Gendelman

The beauty of Irene’s paintings reside in her astute use of subdued colours, reflecting the different nuances and shadows of cities. Her textured surfaces complement her subject matter in revealing the solid aspect of building construction yet her use of fine, thin lines, delicately placed to give an air of lightness to the scene.