Maurice Brazil Prendergast [1858-1924] was born in Saint John's, Newfoundland, to a shopkeeper who moved the family to Boston in 1868. He left school after only eight or nine years and went to work for a commercial art firm. He never married and throughout his life was accompanied and supported by his brother Charles, a gifted craftsman and artist in his own right.
According to Charles, Maurice always wanted to be an artist and spent every available moment sketching. In 1892, Maurice traveled to Paris, where he spent three years. Studying first under Gustave Courtois at the Atelier Colorossi, he eventually moved on to the Académie Julian. There he met the Canadian painter James Wilson Morrice, under whose influence he began executing pochades, small sketches on wood panels depicting elegantly dressed women and playful children at the seaside resorts of Dieppe and Saint-Malo. Back in Paris, he developed a sophisticated modern style inspired in large part by the post-impressionists, particularly Pierre Bonnard and Edouard Vuillard.
In 1895, home from abroad, Prendergast joined his brother in Winchester, Massachusetts. Working in watercolor, oil, and monotype, he continued to focus on men, women, and children at leisure, strolling in parks, on the beach, or traveling the city streets. In 1898 he went to Venice and returned a year later with a series of watercolors of the city. In 1900 the Macbeth Galleries in New York mounted an exhibition of his work.
In 1907 he returned to France, where he was profoundly influenced by Cézanne and the Fauves. Integrating these new influences into his work, Prendergast painted more forceful works of art, with startling bright colors and staccato brushstrokes. As one of The Eight, Prendergast was sharply criticized for his more abstract and brightly colored style.
Following another trip to Venice, in 1911 - 1912, Prendergast returned to New York to select works for and participate in the Armory Show of 1913. A year later, he and Charles moved to New York. In 1915, he was given an exhibition at the Carroll Galleries. Although the critical reception of his work remained mixed, he was able to attract a number of important patrons, among them John Quinn, Lillie B. Bliss, and Dr. Albert Barnes.
During the final years of his career, Prendergast spent his summers sketching in New England and his winters painting in New York. In 1921, the Brummer Gallery in New York held a small retrospective exhibition of his work. By 1923, Prendergast was in frail health, and he died a year later at age sixty-five. | © National Gallery of Art, Washington, DC
Maurice Brazil Prendergast (St. John's, 10 ottobre 1858 – New York, 1º febbraio 1924) è stato un pittore Statunitense. Maurice Brazil Prendergast nacque a St. John's il 10 ottobre 1858.
Nel 1868 la famiglia si trasferì a Boston, dove il giovane Maurice fu apprendista da un artista commerciale, facendo cartelloni.
Le strutture piatte e brillantemente colorate dei manifesti pubblicitari ebbero una profonda influenza sul suo stile, caratterizzandone anche i lavori maturi.
Per studiare arte, negli anni '80 si trasferì a Parigi, dove incontrò alcuni artisti inglesi d'avanguardia come Walter Sickert e Aubrey Beardsley.
Conobbe inoltre da vicino lo stile di James Abbott McNeill Whistler, degli impressionisti e dei puntinisti.
Ma furono soprattutto le influenze di Édouard Vuillard e di Pierre Bonnard che spinsero il suo stile verso il post-impressionismo, in cui ampie forme radicalmente semplificate, colorate in modo luminoso e vigoroso, sono disposte in modo quasi ritmico sulla tela.
Diversi critici d'arte descrissero le sue opere come simili ad arazzi e mosaici.
Nel 1898 Prendergast compì un viaggio a Venezia dove ammirò da vicino le deliziose scene di genere di Vittore Carpaccio, che lo incoraggiarono verso disposizioni ancor più complesse e ritmiche.
Divenne anche uno dei primi pittori americani ad ispirarsi al lavoro di Paul Cézanne, in relazione ad un uso espressivo della forma e del colore.
Anche se lavorò principalmente con gli acquerelli, nella maturità si orientò verso opere ad olio che partivano da abbozzi ad acquerello.
Maurice Prendergast morì a New York il 1º febbraio 1924.