Eugene Galien-Laloue | Belle Époque painter

French painter Eugène Galien-Laloue (1854-1941) was born in Paris on 1854.

He was a populariser of street scenes, usually painted in autumn or winter.

His paintings o f the early 1900s accurately represent the era in which he lived: a happy, bustling Paris, la Belle Époque, with horse-drawn carriages, trolley cars and its first omnibuses.

Galien-Laloue's works are valued not only for their contribution to 20th century art, but for the actual history, which they document.

Paul Renard | Impressionist painter

French artist Paul Renard (1871-1920) was studied at Rotterdams Academy of Art.

He spent most of his career painting narrative street scenes of Paris for which he became renowned.

His is a well listed artist and his work can be found in galleries throughout the world.

Konstantin Korovin | Il maestro dell'Impressionismo

Il pittore e scenografo, Konstantin Korovin / Константи́н Коро́вин (Mosca, 1861 - Parigi, 1939) è stato uno dei maggiori rappresentanti russi dell'Impressionismo.

Korovin è nato il 23 novembre 1861 a Mosca da una famiglia di mercanti, che in realtà, però, risultano da alcuni documenti ufficiali come "contadini della regione di Vladimir Gubernia".

Suo padre, Aleksey Mikhailovich Korovin, conseguì una laurea e si interessò molto alle arti ed alla musica che diffondeva, perfino, nell'azienda di famiglia fondata dal nonno di Korovin.

Ilya Repin | A Parisian Café, 1875

Repin's time as an academic pensioner in Paris 1873-76 was a fruitful as well as confusing time for the rising young star of Russian realist painting and he responded to a bewildering variety of new stimuli with enthusiasm and uncertainty, painting both Russian motifs as well as the sights of contemporary France.

In particular it was a period of burgeoning experimentation as Repin (1844-1930) took cognisance of modern French artistic developments, the major outcome of which was his large canvas "A Parisian Café", which was sold in London in June 2011 for a record price by the artist.

Dorothy Spangler, 1928 | Parisienne walkways

Inspired by the great impressionist masters, Dorothy Spangler paints enchanting European scenes.

Born in St. Louis, Missouri, Dorothy Spangler has spent most of her life in Northern California, which provides a perfect environment for her love of color and light.

After graduating from the College of San Mateo with a major in art, she studied for several years under the distinguished California plein-air painter, William Ward of Los Altos.

Paris painting

"Paris is an ocean.

Explore it, and you still won’t know its depths".

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Honoré de Balzac

"Parigi è come un oceano. Gettateci una sonda e non ne conoscerete mai la profondità.

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Honoré de Balzac

Thierry Duval, 1957 | Paris watercolors

Thierry Duval was born in Paris, France.

His watercolors are characterized by a strong light and precision in drawing, being almost or hyperrealist in the results mainly in his Paris watercolors.

By using glazing technique he works in several steps up to get the final, very realistic result.

As was said, light is strong in almost all his artworks.

Jean Béraud | Belle Époque painter

Jean Béraud (January 12, 1848 - October 4, 1935) was a French painter renowned for his numerous paintings depicting the life of Paris, and the nightlife of Paris society.

Pictures of the Champs Elysees, cafés, Montmartre and the banks of the Seine are precisely detailed illustrations of everyday Parisian life during the "Belle Époque".

He also painted religious subjects in a contemporary setting.

Camille Pissarro | Rue Saint-Honoré, in the afternoon, 1897

Rue Saint-Honoré, dans l'après-midi. Effet de pluie ("Rue Saint-Honoré, in the afternoon. Effect of rain") is an 1897 oil painting by Camille Pissarro.

The work was made towards the end of Pissarro's career, when he abandoned his experiments with Pointillism and returned to a looser Impressionist style.

It is part of a series of works that Pissarro made in 1897-98 from a window of the Grand Hôtel du Louvre, looking down across the edge of the Place du Théâtre Français (now the Place André-Malraux) and along the rue Saint-Honoré, portraying the people, carriages and buildings, the trees, fountains and streetlamps, in an early afternoon shower of rain.

Camille Pissarro | Rue Saint-Honoré, in the afternoon. Effect of rain, 1897 | Museo Thyssen-Bornemisza, Madrid

Pablo Picasso | Boulevard de Clichy, Paris, 1901

Artists from all countries came to Paris to find a connection to the modern era.

On his first trip to Paris, Pablo Picasso (1881-1973) painted a street in Montmartre, the neighborhood that was popular among artists, in the Impressionist style.

The picture is part of a group of about thirty works that the then nineteen-year-old artist presented at his solo exhibition in the Galerie Ambroise Vollard in 1901 in Paris. | Source: © Museum Barberini, Potsdam

Pablo Picasso | Boulevard de Clichy, Paris, 1901 | Museum Barberini, Potsdam

Victor Dargaud | Paris painting

Victor Dargaud | The Statue of Liberty in Frederic-Auguste Bartholdi's Studio, Paris

Paul-Joseph-Victor Dargaud (1850-1921), a specialist in topographically accurate views of the fashionable boulevards of Paris, is little known today, although he exhibited at the Salon from 1873 until his death.

This painting, one of his best-known works, represents the fabrication of the Statue of Liberty.

Its sculptor, Frédéric-Auguste Bartholdi, aspired to rival the sublime effect of such monuments as the Pyramids and the Sphinx.

Because of its scale, Bartholdi had to construct Liberty in sections, as shown in this painting of the statue’s left arm.

Although the right arm of the statue was shipped to the United States in 1876 in time for the centennial, the entire statue was not completed until 1883.

Marc Chagall | Paris through my window, 1913

After Marc Chagall moved to Paris from Russia in 1910, his paintings quickly came to reflect the latest avant-garde styles.

In "Paris Through the Window", Chagall’s debt to the Orphic Cubism of his colleague Robert Delaunay is clear in the semitransparent overlapping planes of vivid color in the sky above the city.

The Eiffel Tower, which appears in the cityscape, was also a frequent subject in Delaunay’s work. For both artists it served as a metaphor for Paris and perhaps modernity itself.

Chagall’s parachutist might also refer to contemporary experience, since the first successful jump occurred in 1912. Other motifs suggest the artist’s native Vitebsk.

Marc Chagall | Paris through my window, 1913 | The Guggenheim Museums and Foundation

Claude Monet | Vita ed Opere

Claude-Oscar Monet (Parigi, 14 novembre 1840 - Giverny, 5 dicembre 1926) è stato un pittore Francese, considerato il padre dell'Impressionismo.

La formazione artistica

Claude Monet nacque nel 1840 a Parigi in rue Laffitte, secondogenito di Claude Adolphe e di Louise Justine Aubrée, una giovane vedova al suo secondo matrimonio. Nel 1845 i Monet si trasferirono a Sainte-Adresse, un sobborgo di Le Havre, dove il padre iniziò a gestire un negozio di drogheria e di forniture marittime insieme con il cognato Jacques Lecadre. A quindici anni l'adolescente Claude cominciò a disegnare a matita e a carboncino, e a vendere bonarie caricature di personaggi della città alla buona somma di una decina di franchi l'una, acquistando così una certa fama nella città insieme ad un modesto gruzzolo

Marcel-Clément (1873-1950) | Paris painting

Amedée Julien Marcel-Clément - Parisian painter of landscapes, seascapes, wildlife and Parisian scenes studied at the School of Fine Art and made his début at the Paris Salon in 1903.

At this time he was best known for his Parisian street scenes, which captured so vividly the era of the Belle Époque and fashionable Parisian Society.

He regularly exhibited there during this whole career, as well as at the Independent Exhibition, where he exhibited many paintings.

Between 1913-1914, he also presented his work in England at the Walker Gallery in Liverpool and at the Royal Scottish Academy.

Alexander Bolotov, 1981 | Unforgettable Paris

Ukrainian painter Александр Болотов was born in Donetsk. In 2002 he graduated from the Donetsk Art School, Department of Painting.

For several years he worked in publishing houses on book illustrations.

He taught at the children's art school. In 2008, he left the genre of illustration and devoted himself entirely to painting.

Initially, the only favorite style was realism in depicting types of nature: forest, sea landscapes, because His favorite artists were the leading figures of the Russian landscape school - Ivan Shishkin and Ivan Aivazovsky.

Salon de Paris, 1667-1890 | Art History

Hubert Robert | The Grande Galerie of the Louvre, 1801

The Salon de Paris beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris.

For almost 150 years (c.1740-1890), the Salon was the most prestigious annual or biannual art event in the world.

As a result, its influence on French painting - in particular artistic style, painterly conventions and the reputation of artists - was enormous.

At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed.

From 1881 onward, it has been managed by the Société des Artistes Français.

Gustave Loiseau | Post-impressionist painter

Gustave Loiseau was born in Paris, 3rd October 1865; he was to become one of the foremost of Post-Impressionist painters. Following his military service and having worked for the family firm, Loiseau visited Pont Aven in 1890, where he worked under the tutelage of Paul Gauguin (1848-1903), following the latter’s return from his first visit to Tahiti.

Although taught by Gauguin, Loiseau was a disciple of Claude Monet (1840-1926), adopting a Post-Impressionist style that owed a significant debt to Monet, seen clearly in his views along the Seine, his portrayals of the cliffs at Dieppe and Étretat and the towns and landscapes of the Dordogne Valley.

In 1893 Loiseau first exhibited in Paris at the Salon des Indépendants and in 1895 at the Salon Nationale.

Léon Zeytline (1885-1962) | Paris painting

Léon Zeytline / Леон Цейтлин was a Russian painter🎨 whom moved from Moscow to the capital of France at the beginning of the 20th century.

He started depicting daily life of Paris during the 1920's, illustrating the numerous and famous squares and boulevards, such as the "Boulevard de l'Opéra" and "Les Champs Elysées" for example.

Gustave Caillebotte | A Balcony in Paris

Those boulevards, don’t forget, were still pretty new in 1877.

In the mid-19th Century, Napoléon III had ordered a massive redevelopment of the unruly French capital - led by Georges-Eugène Haussmann, the prefect of the Seine, who boldly (you might say pitilessly) cleared out Paris’s dense, politically restless faubourgs.

In their place arose standardised blocks of housing, fronting new extended axes that showcased landmarks like so many imperial baubles.

Gustave Caillebotte | Paris Street, Rainy Day, 1877

This complex intersection, just minutes away from the Saint-Lazare train station, represents in microcosm the changing urban milieu of late nineteenth-century Paris.

Gustave Caillebotte grew up near this district when it was a relatively unsettled hill with narrow, crooked streets.

As part of a new city plan designed by Baron Georges-Eugène Haussmann, these streets were relaid and their buildings razed during the artist’s lifetime.

In this monumental urban view, which measures almost seven by ten feet and is considered the artist’s masterpiece, Caillebotte strikingly captured a vast, stark modernity, complete with life-size figures strolling in the foreground and wearing the latest fashions.