Italian ballet dancer Jacopo Tissi in Tchaikovsky's "Swan Lake"

Jacopo Tissi is an Italian ballet dancer.

Tissi was born in 1995 in Landriano, Province of Pavia.

He began dancing at age five, after seeing a ballet on television, at a new ballet school in his hometown.

He entered La Scala Theatre Ballet School in Milan when he was ten.

Out of Africa, 1985

"If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me?

Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?"

Robert Redford and Meryl Streep Shampoo Scene in "Out of Africa"

Karen Blixen | L'Incontro (La poesia)

Ah, quando sei lontano e nessuno

più nomina il tuo nome -

quando ovunque mi rechi sento

cupo e gelido un vuoto -

comincio a credere che tu sia solo un sogno

nato dalle brame della mia mente,

Charles-Amable Lenoir | Reverie, 1893

Vincent van Gogh | A Walk at Twilight, 1889-1890

A Walk at Twilight or Landscape with Couple Walking and Crescent Moon is an intriguing composite of common themes found in works throughout Van Gogh's career, but at the same time some specific characteristics set it aside from other paintings.

Olive trees and cypresses are often portrayed in paintings from Van Gogh's Saint-Rémy period.

But the trees in Landscape with Couple Walking and Crescent Moon are less imposing and less intricately detailed.

Van Gogh's cypresses are famous, but those seen in the current work appear in the distance almost as an afterthought, lacking the majesty and turbulence that so often characterize Van Gogh's cypress trees.

Camille Corot | The Barbizon school of painters

Of Camille Corot Claude Monet exclaimed: "There is only one master here - Corot. We are nothing compared to him, nothing".

His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.