Vincent van Gogh | A Walk at Twilight, 1889-1890

A Walk at Twilight or Landscape with Couple Walking and Crescent Moon is an intriguing composite of common themes found in works throughout Van Gogh's career, but at the same time some specific characteristics set it aside from other paintings.

Olive trees and cypresses are often portrayed in paintings from Van Gogh's Saint-Rémy period.

But the trees in Landscape with Couple Walking and Crescent Moon are less imposing and less intricately detailed.

Van Gogh's cypresses are famous, but those seen in the current work appear in the distance almost as an afterthought, lacking the majesty and turbulence that so often characterize Van Gogh's cypress trees.

A Walk at Twilight or Landscape with Couple Walking and Crescent Moon is an intriguing composite of common themes found in works throughout Van Gogh's career, but at the same time some specific characteristics set it aside from other paintings.

Olive trees and cypresses are often portrayed in paintings from Van Gogh's Saint-Rémy period.

But the trees in Landscape with Couple Walking and Crescent Moon are less imposing and less intricately detailed.

Van Gogh's cypresses are famous, but those seen in the current work appear in the distance almost as an afterthought, lacking the majesty and turbulence that so often characterize Van Gogh's cypress trees.

Camille Corot | The Barbizon school of painters

Of Camille Corot Claude Monet exclaimed: "There is only one master here - Corot. We are nothing compared to him, nothing".

His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.

Of Camille Corot Claude Monet exclaimed: "There is only one master here - Corot. We are nothing compared to him, nothing".

His contributions to figure painting are hardly less important; Degas preferred his figures to his landscapes, and the classical figures of Picasso pay overt homage to Corot's influence.

Una furtiva lagrima...

"Una furtiva lagrima" (A furtive tear) is the romanza from act 2, scene 8 of the Italian opera L'elisir d'amore by Gaetano Donizetti.

It is sung by Nemorino (tenor) when it appears that the love potion he bought to win the heart of his dream lady, Adina, is working.

He loves Adina, but she is not interested in an innocent, rustic man such as he.

Ponziano Loverini | Portrait of Gaetano Doninzetti, 1877

"Una furtiva lagrima" (A furtive tear) is the romanza from act 2, scene 8 of the Italian opera L'elisir d'amore by Gaetano Donizetti.

It is sung by Nemorino (tenor) when it appears that the love potion he bought to win the heart of his dream lady, Adina, is working.

He loves Adina, but she is not interested in an innocent, rustic man such as he.

Ponziano Loverini | Portrait of Gaetano Doninzetti, 1877

Love Letter from Balzac to Countess Ewelina Hańska

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.

I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.

I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.

As for my heart, there you will always be - very much so. I have a delicious sense of you there.

But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

My beloved angel,

I am nearly mad about you, as much as one can be mad: I cannot bring together two ideas that you do not interpose yourself between them.

I can no longer think of nothing but you. In spite of myself, my imagination carries me to you.

I grasp you, I kiss you, I caress you, a thousand of the most amorous caresses take possession of me.

As for my heart, there you will always be - very much so. I have a delicious sense of you there.

But my God, what is to become of me, if you have deprived me of my reason?

Lorenzo Bartolini | Buste d'Ewelina Hańska, 1837 | Musée Bertrand, à Châteauroux, France

Jacqueline Marval | The Female Fauve

Jacqueline Marval was the pseudonym for Marie Josephine Vallet (1866-1932), who was a French painter, lithographer and sculptor.

Vallet was born in Quaix-en-Chartreuse into a family of school teachers.

She was married in 1866, to a traveling salesperson, Albert Valentin, but separated from her husband in 1891 after the death of her son.

Jacqueline Marval was the pseudonym for Marie Josephine Vallet (1866-1932), who was a French painter, lithographer and sculptor.

Vallet was born in Quaix-en-Chartreuse into a family of school teachers.

She was married in 1866, to a traveling salesperson, Albert Valentin, but separated from her husband in 1891 after the death of her son.

Pierre-Auguste Renoir | Bal du moulin de la Galette, 1876

Bal du moulin de la Galette [Dance at Le Moulin de la Galette] is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Author: Auguste Renoir (1841-1919)

Title: Dance at Le Moulin de la Galette

Date: 1876

Medium: Oil on canvas

Dimensions: H. 131; W. 175 cm

Current location: © RMN-Grand Palais (Musée d'Orsay) / Jean-Gilles Berizzi

Bal du moulin de la Galette [Dance at Le Moulin de la Galette] is doubtless Renoir's most important work of the mid 1870's and was shown at the Impressionist exhibition in 1877.

Author: Auguste Renoir (1841-1919)

Title: Dance at Le Moulin de la Galette

Date: 1876

Medium: Oil on canvas

Dimensions: H. 131; W. 175 cm

Current location: © RMN-Grand Palais (Musée d'Orsay) / Jean-Gilles Berizzi

Hippolyte Flandrin | Neoclassical painter

Jean-Hippolyte Flandrin (1809-1864) was a French Neoclassical painter.

His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer (1836) is held in the Louvre.

From an early age, Flandrin showed interest in the arts and a career as a painter.

He was the second of three sons, all of whom were painters.

Auguste, his older brother, spent most of his life as a professor at Lyon and later died there.

Jean-Hippolyte Flandrin (1809-1864) was a French Neoclassical painter.

His most celebrated work, Jeune Homme Nu Assis au Bord de la Mer (1836) is held in the Louvre.

From an early age, Flandrin showed interest in the arts and a career as a painter.

He was the second of three sons, all of whom were painters.

Auguste, his older brother, spent most of his life as a professor at Lyon and later died there.

Bartolomeo Bezzi | Genre painter

Bartolomeo Bezzi (1851-1923) was an Italian painter.

Bartolomeo Bezzi was born in Fucine di Ossana (Trento), then in the Austrian Empire.

Having lost his father as a child, Bezzi lived with an uncle and enrolled at the Brera Academy in Milan at the age of twenty, exhibiting for the first time in 1878.

He won the Fumagalli Prize in 1882 and the following year he took part in the Esposizione di Belle Arti di Roma, receiving general acclaim for his landscape painting.

Bartolomeo Bezzi (1851-1923) was an Italian painter.

Bartolomeo Bezzi was born in Fucine di Ossana (Trento), then in the Austrian Empire.

Having lost his father as a child, Bezzi lived with an uncle and enrolled at the Brera Academy in Milan at the age of twenty, exhibiting for the first time in 1878.

He won the Fumagalli Prize in 1882 and the following year he took part in the Esposizione di Belle Arti di Roma, receiving general acclaim for his landscape painting.

Theodore Earl Butler, l'impressionista americano a Parigi

Theodore Earl Butler (1861-1936) è stato un pittore impressionista Americano.

Nacque a Columbus, Ohio, e si trasferì a Parigi per studiare arte.

Conobbe Claude Monet a Giverny e ne sposò la figliastra, Suzanne Hoschedé.

Dopo la sua morte, sposò la sorella di lei, Marthe Hoschedé.

Butler fu uno dei membri fondatori della Society of Independent Artists.

Theodore Earl Butler (1861-1936) è stato un pittore impressionista Americano.

Nacque a Columbus, Ohio, e si trasferì a Parigi per studiare arte.

Conobbe Claude Monet a Giverny e ne sposò la figliastra, Suzanne Hoschedé.

Dopo la sua morte, sposò la sorella di lei, Marthe Hoschedé.

Butler fu uno dei membri fondatori della Society of Independent Artists.

Louis Janmot | Pittore simbolista

Louis Janmot (1814-1892) è stato un pittore e poeta Francese, appartenente alla Scuola di Lione, 1830 - un movimento ispirato alle correnti mistiche ed illuministe lionesi.

Louis Janmot è stato considerato una figura di transizione tra Romanticismo e Simbolismo, anticipando la componente francese della Confraternita dei Preraffaelliti; la sua opera fu ammirata da Puvis de Chavannes, Odilon Redon e Maurice Denis.

Louis Janmot | Le Poème de l'âme. L’idéal, 1850-1854 | Lyon, Musée des Beaux-Arts

Louis Janmot (1814-1892) è stato un pittore e poeta Francese, appartenente alla Scuola di Lione, 1830 - un movimento ispirato alle correnti mistiche ed illuministe lionesi.

Louis Janmot è stato considerato una figura di transizione tra Romanticismo e Simbolismo, anticipando la componente francese della Confraternita dei Preraffaelliti; la sua opera fu ammirata da Puvis de Chavannes, Odilon Redon e Maurice Denis.

Louis Janmot | Le Poème de l'âme. L’idéal, 1850-1854 | Lyon, Musée des Beaux-Arts

Jules Worms | The furtive message, 1877

In the "Furtive Message" Jules Worms (French academic painter, 1832-1924) re-creates a Spanish street as it might have appeared in the time of Goya.

The background is based on a watercolor sketch the artist made during an 1877 visit to Salamanca.

The picturesque setting forms a backdrop for a farce.

Jules Worms | The furtive message, 1877 | Haggin Museum, California

In the "Furtive Message" Jules Worms (French academic painter, 1832-1924) re-creates a Spanish street as it might have appeared in the time of Goya.

The background is based on a watercolor sketch the artist made during an 1877 visit to Salamanca.

The picturesque setting forms a backdrop for a farce.

Jules Worms | The furtive message, 1877 | Haggin Museum, California

Antonio Mancini | Verist painter

Antonio Mancini (14 November 1852 - 28 December 1930) was an Italian painter.

Mancini was born in Rome and showed precocious ability as an artist.

At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi.

Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon.

Antonio Mancini (14 November 1852 - 28 December 1930) was an Italian painter.

Mancini was born in Rome and showed precocious ability as an artist.

At the age of twelve, he was admitted to the Institute of Fine Arts in Naples, where he studied under Domenico Morelli (1823-1901), a painter of historical scenes who favored dramatic chiaroscuro and vigorous brushwork, and Filippo Palizzi.

Mancini developed quickly under their guidance, and in 1872, he exhibited two paintings at the Paris Salon.

Hortense Haudebourt-Lescot | Genre painter

Hortense Haudebourt-Lescot, born Antoinette Cécile Hortense Viel (1784-1845), was a French painter, mainly of genre and historical scenes.

She was born in Paris to Jean-Baptiste Viel, a perfumer, and his wife Cécile, née Lejeune.

Her mother became a widow two years later and remarried; to Jean-Louis Lescot, a pharmacist.

Hortense Haudebourt-Lescot, born Antoinette Cécile Hortense Viel (1784-1845), was a French painter, mainly of genre and historical scenes.

She was born in Paris to Jean-Baptiste Viel, a perfumer, and his wife Cécile, née Lejeune.

Her mother became a widow two years later and remarried; to Jean-Louis Lescot, a pharmacist.

Anna Klumpke | Catinou knitting, 1887

Encouraged by an independent, educationally oriented mother, Anna Elizabeth Klumpke (1856-1942) was a copyist in the Luxembourg Museum and studied at the Académie Julien in Paris.

She enjoyed an education guided by the concept that women artists could compete with their male counterparts.

In her memoirs of 1940, Klumpke cites a most influential moment in her childhood: receiving the gift of a Rosa Bonheur doll.

Her admiration of Bonheur, the French painter of animals, led her to paint the aging woman’s portrait - which is considered a companion piece to her portrait of leading suffragist Elizabeth Cady Stanton.

Encouraged by an independent, educationally oriented mother, Anna Elizabeth Klumpke (1856-1942) was a copyist in the Luxembourg Museum and studied at the Académie Julien in Paris.

She enjoyed an education guided by the concept that women artists could compete with their male counterparts.

In her memoirs of 1940, Klumpke cites a most influential moment in her childhood: receiving the gift of a Rosa Bonheur doll.

Her admiration of Bonheur, the French painter of animals, led her to paint the aging woman’s portrait - which is considered a companion piece to her portrait of leading suffragist Elizabeth Cady Stanton.

Édouard Cortès | Paris in the Belle Époque

Édouard Leon Cortès (1882-1969), of french and spanish ancestry, was born in Lagny-sur-Marne, a few miles east of Paris.

As an adolescent, he became fascinated with the arts and at seventeen began his studies at the Ecole des Beaux-Arts in Paris.

The year 1901 marked the artist's first exhibition at the Salon des Artistes Francais.

His piece depicting a dramatic Paris street scene at dusk brought him immediate recognition and fame.

Édouard Leon Cortès (1882-1969), of french and spanish ancestry, was born in Lagny-sur-Marne, a few miles east of Paris.

As an adolescent, he became fascinated with the arts and at seventeen began his studies at the Ecole des Beaux-Arts in Paris.

The year 1901 marked the artist's first exhibition at the Salon des Artistes Francais.

His piece depicting a dramatic Paris street scene at dusk brought him immediate recognition and fame.

Luigi Bazzani | Neo-Pompeian painter

Luigi Bazzani, also called Il Bazzanetto, was an Italian painter, illustrator and watercolorist.

He was born November 8, 1836, in Bologna, Italy.

Bazzani studied at Bologna's Accademia di Belle Arti then traveled to France, Germany and, eventually, Rome where he settled down in 1861 and began to specialize in genre and landscape subjects as well as set designs for theaters.

Many of his paintings featured the remains of the city's monuments from classical antiquity.

Luigi Bazzani, also called Il Bazzanetto, was an Italian painter, illustrator and watercolorist.

He was born November 8, 1836, in Bologna, Italy.

Bazzani studied at Bologna's Accademia di Belle Arti then traveled to France, Germany and, eventually, Rome where he settled down in 1861 and began to specialize in genre and landscape subjects as well as set designs for theaters.

Many of his paintings featured the remains of the city's monuments from classical antiquity.

Johan Ericson | Landscape painter

Johan Erik Ericson (1849-1925) was a Swedish landscape painter.

He was born to Anders Eriksson, a woodcarver, and his wife Johanna, née Petersson. His father emigrated to America when he was only four.

From 1872 to 1878, he studied at the Royal Institute of Art, where his primary teacher was Per Daniel Holm.

This was followed by studies in France from 1878 to 1884, where he came under the influence of the Impressionists and served as an assistant in the studios of Alfred Wahlberg.

Johan Erik Ericson (1849-1925) was a Swedish landscape painter.

He was born to Anders Eriksson, a woodcarver, and his wife Johanna, née Petersson. His father emigrated to America when he was only four.

From 1872 to 1878, he studied at the Royal Institute of Art, where his primary teacher was Per Daniel Holm.

This was followed by studies in France from 1878 to 1884, where he came under the influence of the Impressionists and served as an assistant in the studios of Alfred Wahlberg.

Jan Bogaerts (Dutch, 1878-1962)

Johannes Jacobus Maria (Jan) Bogaerts was an artist from Netherlands.

Born in the Dutch city of 's-Hertogenbosch, in the province of North Brabant, Bogaerts attended the Koninklijke School voor Nuttige en Beeldende Kunsten in his birth city between 1893 and 1899.

He spent four years working in the studio of the fin-de siècle artist Antoon van Welie (1866-1956) and also received tutelage from him at the Den Bosch academy from 1897 until 1899.

Under his influence, Bogaerts painted figures, portraits, landscapes, parks, gardens and castle grounds in a symbolistical manner.

Johannes Jacobus Maria (Jan) Bogaerts was an artist from Netherlands.

Born in the Dutch city of 's-Hertogenbosch, in the province of North Brabant, Bogaerts attended the Koninklijke School voor Nuttige en Beeldende Kunsten in his birth city between 1893 and 1899.

He spent four years working in the studio of the fin-de siècle artist Antoon van Welie (1866-1956) and also received tutelage from him at the Den Bosch academy from 1897 until 1899.

Under his influence, Bogaerts painted figures, portraits, landscapes, parks, gardens and castle grounds in a symbolistical manner.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880

Renoir’s Jeune fille (L'Eté) is a pretty pastel fantasy: a plump brunette wears a breezy white chemise and a fashionable straw hat, festooned with a thick blue ribbon.

This Impressionist goddess of summer, nestled in a flowering meadow, has adorned her hat with freshly plucked blooms.

She leans towards the viewer with a sweet, languid look, her lips gently parted.

The sensuality of her expression is underscored by the casual exposure of her bare shoulder, arms and décolleté.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880 | Christie's

Renoir’s Jeune fille (L'Eté) is a pretty pastel fantasy: a plump brunette wears a breezy white chemise and a fashionable straw hat, festooned with a thick blue ribbon.

This Impressionist goddess of summer, nestled in a flowering meadow, has adorned her hat with freshly plucked blooms.

She leans towards the viewer with a sweet, languid look, her lips gently parted.

The sensuality of her expression is underscored by the casual exposure of her bare shoulder, arms and décolleté.

Pierre-Auguste Renoir | Jeune fille (L’Eté), 1880 | Christie's

Antonio Zoppi | Grandpa plays the accordion for Grandma

Antonio Zoppi (1860-1926) was an Italian painter, mostly of genre and costume scenes, as well as landscapes.

He was born and resident in Novara. In 1881 at Milan he exhibited: Paggio del secolo XVI.

In 1881 at Rome he exhibited: Fate la carità e In vino laetitia.

To other exhibitions he sent: Winter Sun; Dolci ricordi; Il nonno; Adele; Study of a head; A landscaper of Tobacco; and Savoy and Winter Morning.

Antonio Zoppi | Grandpa plays the accordion for Grandma / Il Nonno suona la fisarmonica per la Nonna | Simpson Galleries, Houston, Texas

Antonio Zoppi (1860-1926) was an Italian painter, mostly of genre and costume scenes, as well as landscapes.

He was born and resident in Novara. In 1881 at Milan he exhibited: Paggio del secolo XVI.

In 1881 at Rome he exhibited: Fate la carità e In vino laetitia.

To other exhibitions he sent: Winter Sun; Dolci ricordi; Il nonno; Adele; Study of a head; A landscaper of Tobacco; and Savoy and Winter Morning.

Antonio Zoppi | Grandpa plays the accordion for Grandma / Il Nonno suona la fisarmonica per la Nonna | Simpson Galleries, Houston, Texas