Vittorio Matteo Corcos | Belle Époque painter

Vittorio Matteo Corcos (October 4, 1859 - November 8, 1933) was a celebrated Italian Realist painter and portraitist.

Renowned as the definitive painter of the Belle Époque, Corcos became famous for his highly refined, realistic portraits of European nobility, monarchs, and the upper-middle class bourgeois.

He was particularly unmatched in capturing the essence, psychology, and evolving independence of women during the turn of the 20th century.

Yurii Klapoukh, 1963 | Romantic / Genre painter

Iurii Klapoukh / Юрий Клапоух is a contemporary Ukrainian painter born in Uman, Ukraine.

He is widely recognized for his high technical mastery in oil-on-canvas realism, seamlessly blending classical artistic traditions with contemporary elements.

He took an unconventional career path, originally training and working as an aviation engineer before fully dedicating his life to professional fine art.

He graduated from the prestigious Surikov State Academic Art Institute in Moscow in 1993.

Iman Maleki, 1976 | Realist painter

Iman Maleki, Iranian painter, was bornin Tehran.

He has been fascinated by the art of painting since he was a child.

At the age of 15, he started to learn painting under the mastery of his first and only teacher - Morteza Katouzian, who is the greatest realist painter of Iran.

Meanwhile, he began to paint professionally.

In 1999 he graduated in Graphic Design from the Art University of Tehran.

Since 1998, he has participated in several exhibitions.

José Malhoa | Naturalist painter

José Vital Branco Malhoa, known simply as José Malhoa (28 April 1855 - 26 October 1933) was a Portuguese painter.

Malhoa was, with Columbano Bordalo Pinheiro, the leading name in Portuguese naturalist painting in the second half of the 19th century.

They were both members of the Grupo do Leão (Lion Group), a group of artists and writers in the 1880s.

He often painted popular scenes and subjects, like his two most famous paintings: The Drunks (1907) and Fado (1910).

Alessandro Zezzos | Genre painter

Alessandro Zèzzos (Venice, 1848 - Vittorio Veneto, 1914) was an Italian painter of genre scenes, costume scenes, portraits and vedute, in watercolors and oils.

He studied under Giacomo Favretto, Alessandro Milesi and Luigi Nono at the Academy of Fine Arts in his native Venice.

Christen Dalsgaard | Pittore di genere romantico

Christen Dalsgaard (30 ottobre 1824 - 11 febbraio 1907) è stato un pittore Danese, allievo di Christoffer Wilhelm Eckersberg.

Era il figlio del proprietario della tenuta, Krabbesholm Manor, situata vicino a Skive nello Jutland.

Ha mostrato i primi segni di talento artistico e ha ricevuto una formazione come pittore artigianale.

Market painting | The historical origins

Market paintings capture the vibrant energy and cultural diversity of trading spaces across the world, from bustling open-air bazaars to serene floral stalls.

Market scenes have been a popular genre for centuries, capturing the vibrancy of daily life, commerce and culture.

These paintings often use "visual seduction" to make the depicted commodities - like fruits, vegetables, or flowers - as alluring to the viewer as the art itself.

This subject is a favorite for artists to explore crowd dynamics, architectural perspective, and color theory through various mediums like oil and watercolor.

Genre Art History and Sitemap

Genre painting, painting of scenes from everyday life, of ordinary people in work or recreation, depicted in a generally realistic manner.

Genre art contrasts with that of landscape, portraiture, still life, religious themes, historic events, or any kind of traditionally idealized subject matter.

Intimate scenes from daily life are almost invariably the subject of genre painting.

The elimination of imaginative content and of idealization focuses attention upon the shrewd observation of types, costumes and settings.

The term arose in 18th-century France to describe painters specializing in one kind genre of picture, such as flowers or animals or middle-class life, and was originally used derogatively by advocates of the ideal or grand manner in art.