Jean-Baptiste Greuze | Broken Eggs, 1756

Broken Eggs attracted favorable comment when exhibited at the Paris Salon of 1757.

One critic noted that the young serving girl had a noble pose worthy of a history painter.

The canvas was painted in Rome, but the principal source may have been a seventeenth-century Dutch work by Frans van Mieris the Elder (1635-1681) - State Hermitage Museum, St. Petersburg, which Jean-Baptiste Greuze (French painter, 1725-1805) would have known from an engraving.

The broken eggs symbolize the loss of the girl's virginity. | © The Metropolitan Museum of Art

William Wetmore Story | Medea, 1865

In the ancient Greek tragedy by Euripides, Medea was the sorceress who assisted Jason in obtaining the Golden Fleece and later became his wife.

When he abandoned her, Medea murdered their two children and planned the death of his new love, Creusa.

To nineteenth-century theater audiences, Medea was a sympathetic character forced to choose between relinquishing her children and protecting them by destroying them herself. Story similarly deemphasized Medea’s revenge, leaving to the viewer’s imagination the scene of infanticide to come. | © The Metropolitan Museum of Art

Georges de La Tour | The penitent Magdalene, 1640

With its extreme contrasts of candlelight and shadow, pared-down geometry, and meditative mood, this painting exemplifies La Tour’s painting at its most accomplished and characteristic.

These visual qualities were a powerful countertrend to Baroque painting’s typical pomp and showiness.

A native of the duchy of Lorraine in eastern present-day France, La Tour was indebted to Caravaggesque painting, but tended toward even more simplified forms.

The quiet atmosphere of this painting perfectly fits the subject, Mary Magdalen, who renounced the pleasures of the flesh for a life of penance and contemplation.

She is shown with a mirror, symbol of vanity; a skull, emblem of mortality; and a candle that probably references her spiritual enlightenment. | © The Metropolitan Museum of Art

The Penitent Magdalene, 1640 | Metropolitan Museum of Art