Louis-Ernest Barrias | Romantic / Art Nouveau sculptor

Louis-Ernest Barrias (1841-1905) was a French sculptor of the Beaux-Arts school.

In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.

Barrias was involved in the decoration of the Paris Opéra and the Hôtel de la Païva in the Champs-Élysées.

His work was mostly in marble, in a Romantic realist style indebted to Jean-Baptiste Carpeaux.

Paris, 1925: Art Dèco gazzled the World / L'Art Déco abbagliò il mondo

Art Déco Exposition Internationale des Arts Décoratifs et Industriels Modernes - Esposizione internazionale delle arti decorativi ed industriali moderni, tenutasi a Parigi nel 1925 - e per quest'ultimo motivo noto anche come Stile 1925 - viene considerato un fenomeno del gusto che interessò sostanzialmente il secondo ed il terzo decennio del secolo XX: riguardò le arti decorative, le arti visive, l'architettura, la moda.

L'Expo parigina del 1925 vide trionfare, fra i molti espositori stranieri, la speciale raffinatezza francese in varie categorie merceologiche, dall'ebanisteria agli accessori di moda: Parigi restava il centro internazionale del buon gusto anche negli anni critici seguiti alla prima guerra mondiale.

Philippe Faraut, 1963 | Figurative sculptor

Philippe Faraut is a figurative artist specializing in life-size portrait sculptures and monumental stone sculptures.

His media of choice are water-based clay and marble.

From his extensive research of the human face he developed a technique of modeling the portrait that he shares with his sculpting students during his numerous sculpting classes and seminars taught hroughout the US.

Jacques Van Den Abeele, 1960 | Figurative sculptor

Jacques Van den Abeele, Belgian sculptor, is exhibited in galleries spread over Belgium, France, The Netherlands, Switzerland and the United States of America.

He realized also monumental sculptures for state orders.

For Jacques Van den Abeele, art is above all a quest for the essential foundations of existence, moving towards what lies behind appearances: feelings, emotions, fears.

Leonardo da Vinci | Ultima Cena / Last Supper, 1494-1498

Last Supper, one of the most famous artworks in the world, painted by Leonardo da Vinci probably between 1494 and 1498 for the Dominican monastery Santa Maria delle Grazie in Milan.

It depicts the dramatic scene described in several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and later institutes the Eucharist.

According to Leonardo’s belief that posture, gesture, and expression should manifest the “notions of the mind”, each one of the 12 disciples reacts in a manner that Leonardo considered fit for that man’s personality.

The result is a complex study of varied human emotion, rendered in a deceptively simple composition.

Leonardo da Vinci | Ultima Cena / Last Supper, 1494-1498 | Convent of Santa Maria delle Grazie, Milan

Auguste Rodin | L'Adieu / Farewell, 1898

The Farewell or The Convalescent / L'adieu - is composed of Camille Claudel with short hair (1884) and two independent hands added in front of her face, the work attests to Rodin's passion for assemblages, evident in both his narrative and portraiture registers.

By placing her head and hands on a block of plaster, Rodin shed light on his thoughts about pedestals.

The construction causes Camille's face to stand out slightly from the plaster block and conveys a sense of slow absorption that contributes to the melancholy of the composition.

Auguste Rodin | L'Adieu /Farewell, 1898 | Musée Rodin, Paris

Mariangela Gualtieri | Sii dolce con me

Sii dolce con me. Sii gentile.

È breve il tempo che resta. Poi

saremo scie luminosissime.

E quanta nostalgia avremo

dell’umano. Come ora ne

abbiamo dell’intimità.

Angeles Anglada

Henri Chapu | Jeanne d'Arc à Domremy, 1873

19th-century France was fascinated by the figure of Joan of Arc, an historical, mythified heroine who figured in the readily anti-British nationalist movement in the second half of the 19th century.

Henri Chapu (French sculptor, 1833-1891), a classical sculptor who explored a sincere, elegant form of naturalism with great finesse, chose to represent not the warrior maiden in a suit of armour but the shepherdess from Lorraine listening to the voices asking her to help the king to liberate the kingdom.

Henri Chapu | Jeanne d'Arc à Domremy, 1873 | Musée d'Orsay, Paris