Randolph Rogers | Nydia, the Blind Flower Girl of Pompeii, 1859

"Nydia, the Blind Flower Girl of Pompeii" by Randolph Rogers (Waterloo, New York 1825-1892 Rome) was the most popular American sculpture of the nineteenth century.

According to Rogers, it was replicated 167 times in two sizes.

The subject was drawn from "The Last Days of Pompeii" (1834), a widely read novel by Lord Edward Bulwer-Lytton, which ends with the eruption of Mount Vesuvius in a.d. 79.

Rogers’s evocative portrayal of Nydia highlights her heroic attempt to lead two companions out of the burning, ash-covered city.

Michael Parkes, 1944 | Sculptures

Michael Parkes is an American-born artist living in Spain who is best known for work in the areas of fantasy art and magic realism.

He specializes in painting, stone lithography and sculpture.

He also creates limited-edition Giclée images.

He studied graphic art and painting at the University of Kansas and then travelled for three years throughout Asia and Europe.

Numerous international exhibitions underline the importance of Parkes' work.

Le Gallerie di Piazza Scala, Milano

Situato nel cuore di Milano, il complesso espositivo Gallerie di Piazza Scala propone un viaggio affascinante nell'arte del XIX e XX secolo.

Il polo museale si snoda attraverso quattro edifici storici della città.

Negli storici Palazzo Anguissola e Palazzo Brentani sono esposti 197 dipinti e sculture che partono da bassorilievi neoclassici di Antonio Canova, per toccare quindi le altre correnti che hanno caratterizzato le arti figurative italiane ottocentesche:

Ferrari Arturo - Via San Bernardino in Milano

Gustav Vigeland | Figurative sculptor

Gustav Vigeland (1869-1943), born as Adolf Gustav Thorsen, was a Norwegian sculptor.

Gustav Vigeland occupies a special position among Norwegian sculptors, both in the power of his creative imagination and in his productivity.

He is most associated with the Vigeland installation (Vigelandsanlegget) in Frogner Park, Oslo.

The Vigeland installation made Frogner Park into Norway's most popular tourist attraction, and the park also contains Frogner Manor with the Oslo Museum and the Henriette Wegner Pavilion.

Vigeland was also the designer of the Nobel Peace Prize medal.

Cristoforo Stati | Orpheus with Violin, 1600-1601

Orpheus by Italian sculptor Cristoforo Stati / Cristofano da Bracciano (1556-1619), famous for taming beasts with his music, is here shown entertaining himself, his body swaying to the sound of the lira da braccio.

The statue was carved for the Palazzo Corsi, Florence. | © The Metropolitan Museum of Art

Leon Richman | Figurative sculptor

Beginning in medium to large-scale marble figures, his passion to explore the beauty of the human form in all dimensions soon led him to a more pliable medium, allowing more freedom in the creative process.

The result has been an inspired body of work, each piece possessing its own unique spirit and personality.

Leon Richman is a California artist with a formal education from the renowned Art Center College of Design in Pasadena, and years of practical experience in the field of commercial art, but his soul and passion have always been deeply rooted in the finer arts.

Carl Payne, 1969 | Figurative sculptor

British sculptor Carl Payne was born in Staffordshire.

During his education he studied Figurative Sculpture and began on his first commission in 2000.

Since then, Payne has compiled an extensive ensemble of commissions including 'Ride a Cock Horse to Banbury Cross' and 'King George and Queen Mary' which were unveiled by George Best, Bobby Moore and Pele and by Princess Anne at Banbury respectively.

Today he has a wide variety of collectors throughout the world.

Antonio Canova | Drawing

Antonio Canova (1757-1822) used graphic drawings as the essential foundation for his Neoclassical marble masterpieces.

His sketches acted as a direct window into his creative process, transitioning from rapid, emotional thoughts into highly calculated, geometric structures.

Unlike his highly polished marbles, his initial sketches features rapid, loose, and gestural ink strokes.

He heavily used charcoal wash and cross-hatching to map out how light would fall on the three-dimensional stone surface.