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Alberto Salietti (Italian painter, 1892-1961)

Alberto Salietti (Ravenna, 1892 - Chiavari, 1961) was an Italian painter🎨.
Salietti was born in Ravenna and moved to Milan when child.
An eclectic character in the artistic universe of the first half of the century, he played two parts with expertise: he was the secretary of the group “Novecento” where he meticulously handled both national and international relationships and left a wealth of information in the archives; and painter "amongst the most significant contemporary artists" as how Ugo Nebbia has consecrated him.











Alberto Salietti (Ravenna,15 marzo 1892 - Chiavari, 19 settembre 1961) è stato un pittore Italiano🎨.
Nasce a Ravenna il 15 marzo 1892, figlio e nipote di decoratori murali. Dopo aver iniziato a lavorare con il padre, frequenta fino al 1914 l'Accademia di Brera, ove ha come maestri Cesare Tallone e Mentessi.
Dopo aver partecipato alla Prima guerra mondiale, riprende la sua attività, esponendo dal 1920 alle Biennali di Venezia.
Fu tra i fondatori delle Mostre del Novecento Italiano e fece parte del gruppo "Sette pittori moderni", alla Galleria Milano, con Carrà, Sironi, Tosi, Bernasconi, Funi e Piero Marussig.
Fu socio onorario dell'Accademia di Brera.
Nel 1936 la Wiener Secession lo nominò suo membro corrispondente.
Dal 1933-1936 fece parte del Consiglio Superiore per le Antichità e Belle Arti; fu insignito di due onorificenze all'estero.
I suoi principali soggetti sono paesaggi, ritratti e nature morte.
Ha opere in pubbliche gallerie: a Roma - Galleria nazionale d'arte moderna, Firenze, Milano, Torino, Berlino, Zurigo, Monaco, Berna, Montevideo, Cleveland, Mosca, Parigi, Varsavia.

Fra le mostre in cui ottenne premi citiamo:

  • I° Internazionale di Barcellona, 1929; 
  • Budapest, 1936;
  • la Mostra dell'Istituto Carnegie di Pittsburgh, 1936;
  • l'Esposizione mondiale di Parigi, 1937;
  • la II e III Quadriennale Roma;
  • la XXIII Biennale di Venezia (nel 1942, ricevendo il Gran Premio per la pittura);
  • la mostra La Bella Italiana, a Milano, nel 1952;
  • il Premio Marzotto, nel 1955 e 1956;
  • il Premio Garzanti nel 1957;
  • il Premio del Comune di Milano nel 1959;
  • la medaglia d'oro a Firenze, al Premio del Fiorino, nel 1961;
  • la XXII Biennale d'Arte alla Permanente di Milano, nel 1961, il premio Bagutta-Vergani.


Alberto Salietti (Ravenna, 1892 - Chiavari, 1961) was an Italian painter🎨.
Salietti was born in Ravenna and moved to Milan when child.
An eclectic character in the artistic universe of the first half of the century, he played two parts with expertise: he was the secretary of the group “Novecento” where he meticulously handled both national and international relationships and left a wealth of information in the archives; and painter "amongst the most significant contemporary artists" as how Ugo Nebbia has consecrated him.











Alberto Salietti (Ravenna,15 marzo 1892 - Chiavari, 19 settembre 1961) è stato un pittore Italiano🎨.
Nasce a Ravenna il 15 marzo 1892, figlio e nipote di decoratori murali. Dopo aver iniziato a lavorare con il padre, frequenta fino al 1914 l'Accademia di Brera, ove ha come maestri Cesare Tallone e Mentessi.
Dopo aver partecipato alla Prima guerra mondiale, riprende la sua attività, esponendo dal 1920 alle Biennali di Venezia.
Fu tra i fondatori delle Mostre del Novecento Italiano e fece parte del gruppo "Sette pittori moderni", alla Galleria Milano, con Carrà, Sironi, Tosi, Bernasconi, Funi e Piero Marussig.
Fu socio onorario dell'Accademia di Brera.
Nel 1936 la Wiener Secession lo nominò suo membro corrispondente.
Dal 1933-1936 fece parte del Consiglio Superiore per le Antichità e Belle Arti; fu insignito di due onorificenze all'estero.
I suoi principali soggetti sono paesaggi, ritratti e nature morte.
Ha opere in pubbliche gallerie: a Roma - Galleria nazionale d'arte moderna, Firenze, Milano, Torino, Berlino, Zurigo, Monaco, Berna, Montevideo, Cleveland, Mosca, Parigi, Varsavia.

Fra le mostre in cui ottenne premi citiamo:

  • I° Internazionale di Barcellona, 1929; 
  • Budapest, 1936;
  • la Mostra dell'Istituto Carnegie di Pittsburgh, 1936;
  • l'Esposizione mondiale di Parigi, 1937;
  • la II e III Quadriennale Roma;
  • la XXIII Biennale di Venezia (nel 1942, ricevendo il Gran Premio per la pittura);
  • la mostra La Bella Italiana, a Milano, nel 1952;
  • il Premio Marzotto, nel 1955 e 1956;
  • il Premio Garzanti nel 1957;
  • il Premio del Comune di Milano nel 1959;
  • la medaglia d'oro a Firenze, al Premio del Fiorino, nel 1961;
  • la XXII Biennale d'Arte alla Permanente di Milano, nel 1961, il premio Bagutta-Vergani.


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Herbert Draper (1863-1920) Classicist painter

Herbert James Draper was an British painter🎨 whose career began in the Victorian Era and extended through the first two decades of the 20th century.
In 1894 was the beginning of Draper's most productive period. He focused mainly on mythological themes from ancient Greece.
His painting "The Lament For Icarus🎨" from 1898 won the gold medal at the Exposition Universelle in Paris in 1900 and was later bought for the Tate Gallery by the Chantrey Trustees.


Herbert James Draper was an British painter🎨 whose career began in the Victorian Era and extended through the first two decades of the 20th century.
In 1894 was the beginning of Draper's most productive period. He focused mainly on mythological themes from ancient Greece.
His painting "The Lament For Icarus🎨" from 1898 won the gold medal at the Exposition Universelle in Paris in 1900 and was later bought for the Tate Gallery by the Chantrey Trustees.


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Édouard Manet (1832-1883) | Legacy

Legacy

Manet's public career lasted from 1861, the year of his first participation in the Salon, until his death in 1883. His known extant works, as catalogued in 1975 by Denis Rouart and Daniel Wildenstein, comprise 430 oil paintings, 89 pastels, and more than 400 works on paper.
Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning.
One was Émile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality".


Legacy

Manet's public career lasted from 1861, the year of his first participation in the Salon, until his death in 1883. His known extant works, as catalogued in 1975 by Denis Rouart and Daniel Wildenstein, comprise 430 oil paintings, 89 pastels, and more than 400 works on paper.
Although harshly condemned by critics who decried its lack of conventional finish, Manet's work had admirers from the beginning.
One was Émile Zola, who wrote in 1867: "We are not accustomed to seeing such simple and direct translations of reality. Then, as I said, there is such a surprisingly elegant awkwardness ... it is a truly charming experience to contemplate this luminous and serious painting which interprets nature with a gentle brutality".


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Japanese Artists | Sitemap

Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, and more recently manga which is modern Japanese cartoons and comics along with a myriad of other types.
It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country.
Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world.
Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences.


Japanese art covers a wide range of art styles and media, including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, and more recently manga which is modern Japanese cartoons and comics along with a myriad of other types.
It has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present-day country.
Japan has been subject to sudden invasions of new ideas followed by long periods of minimal contact with the outside world.
Over time the Japanese developed the ability to absorb, imitate, and finally assimilate those elements of foreign culture that complemented their aesthetic preferences.


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Atsushi Suwa / 諏訪敦, 1967 | Realist figure painter

Born in Hokkaido, Japan, Atsushi Suwa studied oil painting at Musashino Art University, graduating in 1992.
Two years later he was nominated by the Department of Culture of Japan to be an Overseas Art Trainee and traveled to Spain.
In 1995, he became the first Asian artist to receive the top award at the 5th International Painting Competition, presented by the Fundacion Barcelo in Mallorca, Spain.
After resuming his career in Japan, he went on to receive the Award for Excellence at the 22nd Rising Artists Exhibition, presented by the Sompo Japan Museum of Art in 2003.


Born in Hokkaido, Japan, Atsushi Suwa studied oil painting at Musashino Art University, graduating in 1992.
Two years later he was nominated by the Department of Culture of Japan to be an Overseas Art Trainee and traveled to Spain.
In 1995, he became the first Asian artist to receive the top award at the 5th International Painting Competition, presented by the Fundacion Barcelo in Mallorca, Spain.
After resuming his career in Japan, he went on to receive the Award for Excellence at the 22nd Rising Artists Exhibition, presented by the Sompo Japan Museum of Art in 2003.