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Hugues Merle | The Lunatic of Etretat, 1871
"The Lunatic of Etretat" is a painting by French Academic artist Hugues Merle (1822-1881).
It is part of the collection of the Chrysler Museum of Art, in Norfolk, Virginia.
The woman’s face is a mask of suffering while she cradles, not a sleeping baby, but a wooden log!
Is Merle’s "Lunatic" mourning the loss of a child, or mad with longing for one?

Vittorio Matteo Corcos | Dreams / Sogni, 1896
Vittorio Matteo Corcos returned in 1886 to Florence, where he painted the prominent and the fashionable portrait of a modern girl, Elena Vecchi, which has become the most emblematic image of the so-called Belle Epoque.
His most notorious portrait, however, was that of his mistress, Elena Vecchi, the daughter of a naval officer who carned his fame as Jack La Bolina, the author of popular adventure stories.


Ave Maria (Schubert)
"Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.
Giovanni Battista Salvi called Sassoferrato (1609-1685) | The Madonna in prayer | Christie's

Hugues Merle | Genre painter
From National Gallery of Art:
Born in 1823 at Saint-Marcellin (Isère), Hugues Merle studied in Paris with the history painter Léon Cogniet (1794-1880) and devoted himself to a wide range of subjects, from religious themes and historical anecdotes to incidents from contemporary life, particularly of the urban and rural poor.
His greatest popular successes, however, were won by scenes of maternal affection and childhood innocence that he sought to imbue with impish sweetness and sentimentality.
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Francesco Lavagna | The Neapolitan still life of the eighteenth century
Francesco Lavagna (Naples, 1684-1724) was an Italian still life painter who worked mainly in Naples.
Little is known about his biographical data and career, but he was first mentioned by B. De Dominici in the 18th century and has since been regarded as an important still life painter of the Neapolitan School.

Antonio Calderara | Abstract / Minimalist painter
- "Contemplation, harmony, proportion, stillness; this is the invisible thread that weave my aspiration" - Antonio Calderara
Self-taught as a child growing up in Milan, and later mentored for a time by a young Lucio Fontana, the earliest influences of Antonio Calderara (1903-1978) were of the figuration and light effects of Piero della Francesca, Seurat and the Milanese Novecento painters.
After abandoning his university studies in engineering in 1925 the young man dedicated himself fully to experimenting with colour and form.
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Filippo Baratti | Orientalist painter
Filippo Baratti (1849-1936) was an Italian painter; known primarily for his Orientalist scenes.
Filippo Baratti was born in Trieste, then a part of the Austro-Hungarian Empire.
Little is known of his early years, however in 1868 he was exhibiting at the Esposizione di Belle Arte in Milan.
Baratti then moved to Turin, where he exhibited at the Società Promatirice di Belle Arte 1869-1872.
Angiolo Tommasi | The Emigrants /Gli Emigranti, 1986
Angelo Tommasi is a Naturalistic painter, influenced by Courbet’s realism, and played an active role spreading the technique employed by the Macchiaioli.
The monumental painting The Emigrants shows a common situation in Italy after the unification process.
The burning and dramatic theme of overseas emigration is vividly depicted by the packed crowds at the Port of Livorno, people who have resigned themselves to their fate and the expectation of embarkation. The painting's extraordinary dimensions contribute to an illustration of the theme of Italian emigration on an almost epic scale.

Bernard Blommers | Goodbye father, 1885
Bernardus Johannes (Bernard) Blommers (1845-1914) was a Dutch etcher and painter of the Hague School.
He learned lithography early in his career, and then studied at the Hague Akademie under Johan Philip Koelman until 1868.
His early paintings were mostly genre works depicting fishermen and their wives, heavily influenced by Jozef Israëls.

Nicoletta Ceccoli, 1973 | Children's book illustrators
Nicoletta Ceccoli born and still live in her native Republic of San Marino.
She graduated from the Institute of Art in Urbino (Italy) in the section of animation.
Since 1995 Nicoletta has been commissioned as illustrator to create work in the editorial world for several children’s books, magazines, book covers, CDs and posters, advertising.

Agim Sulaj, 1960 | Surreal satirical illustrator
Born in Valona, Agim Sulaj, is an Albanian painter, living in Rimini, Italy since 1990 and having Italian citizenship.
After high school, in 1978 Agim Sulaj entered the Tirana Academy des Baux Artes, and completed his studies at the Fine Arts Academy of Tirana in 1985.
As a painter, he started working in the political and satirical magazine Hosteni, producing illustrations and caricatures.

Selene Salvi, 1976 | Parthenopean painter
Italian painter Selene Salvi was born in Naples in 1976.
After graduating from university with a degree in philosophy, she began her artistic studies in the studio of the realist Neapolitan painter Fulvio De Marinis, through the time-honored ritual of copying the works of the masters.
Raffaello, Rubens, Caravaggio, de Ribera, Ingres, Bouguereau, and the 18th-century Neapolitan school became a solid base from which to launch her own original works and creative impulses.

Mario Mariotti | Handimals
The remarkable Italian artist Mario Mariotti (1936-1997) was a conceptual artist who transforms his hands into odd, fantastic creatures.
He can turn hands into almost anything.
His book "Animani" showcased a great variety of wild animals and birds -- all hands, adorned with a lot of paint, a few toothpicks, string and some button eyes.

Colours of Pompeii
The Roman world was a mass of colour - most clearly preserved in Pompeii.
In wealthy houses, mosaics, frescoes and marble panelling formed a multi-coloured backdrop to painted sculpture, terracotta objects and furniture - as well, of course, did textiles and soft furnishings.
Public temples and other monuments featured vibrant decorations, while the streets blazed with painted signs and adverts for shops, bars, and politicians.

Paris, 1925: Art Dèco gazzled the World / L'Art Déco abbagliò il mondo
Art Déco Exposition Internationale des Arts Décoratifs et Industriels Modernes - Esposizione internazionale delle arti decorativi ed industriali moderni, tenutasi a Parigi nel 1925 - e per quest'ultimo motivo noto anche come Stile 1925 - viene considerato un fenomeno del gusto che interessò sostanzialmente il secondo ed il terzo decennio del secolo XX: riguardò le arti decorative, le arti visive, l'architettura, la moda.
L'Expo parigina del 1925 vide trionfare, fra i molti espositori stranieri, la speciale raffinatezza francese in varie categorie merceologiche, dall'ebanisteria agli accessori di moda: Parigi restava il centro internazionale del buon gusto anche negli anni critici seguiti alla prima guerra mondiale.

Coco Chanel creò la nuova Donna del XX secolo
Forte ed ambiziosa, Gabrielle Coco Chanel (1883-1971), sovvertì la moda femminile costretta all’interno di rigidi schemi sociali, rivoluzionò il concetto di femminilità, imponendosi come figura fondamentale del fashion design e della cultura popolare del XX secolo.
Chanel non faceva parte della aristocrazia parigina, né dell’alta borghesia, ma riuscì a rendere à la page gli abiti delle sartine e delle commesse anche tra le ricche signore di Deauville.

Philippe Faraut, 1963 | Figurative sculptor
Philippe Faraut is a figurative artist specializing in life-size portrait sculptures and monumental stone sculptures.
His media of choice are water-based clay and marble.
From his extensive research of the human face he developed a technique of modeling the portrait that he shares with his sculpting students during his numerous sculpting classes and seminars taught hroughout the US.

André Savy, 1982 | Santorini Walkway
French painter André Savy creates inviting scenes featuring the crisp white-washed architecture of Mykonos, Santorini and other Greek islands of the Cyclades against the mythic blues of the Aegean region.
These islands and their gentle leisurely pace of life have offered artistic inspiration to the artist on his frequent visits to capture the unique clarity of the Aegean light.
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