Ernest Barrias | Nature Unveiling Herself / La natura che si svela, 1899

"La Nature se dévoilant" was commissioned in 1889 to decorate the new medical school in Bordeaux.

A young woman, the allegory of nature, is slowly lifting the veils she is wrapped in.

When he had finished the first version in white marble for the school, Ernest Barrias (1841-1905) designed a second statue in polychrome, for the ceremonial staircase of the Conservatoire des Arts et Métiers, in Paris.

Pierre-Auguste Renoir | La Balançoire / L'altalena, 1876

Renoir gives us the impression of surprising a conversation - as if in a snapshot, he catches the glances turned towards the man seen from the back. The young woman is looking away as if she were embarrassed. The foursome in the foreground is balanced by the group of five figures sketchily brushed in the background.

The Swing has many points in common with The Ball at the Moulin de la Galette. The two pictures were painted in parallel in the summer of 1876.

The models in The Swing, Edmond, Auguste Renoir's brother, the painter Norbert Goeneutte and Jeanne, a young woman from Montmartre, figure among the dancers in The Ball. The same carefree atmosphere infuses both pictures. As in The Ball, Renoir is particularly trying to catch the effects of sunlight dappled by the foliage.

Author: Pierre-Auguste Renoir (1841-1919)*
Title: La balançoire [The Swing]
Date: 1876
Medium: Oil on canvas
Dimensions: H. 92; W. 73 cm
Current location: © Musée d'Orsay, dist. RMN-Grand Palais / Patrice Schmidt

A young man seen from the back is talking to a young woman standing on a swing, watched by a little girl and another man, leaning against the trunk of a tree.