Baroque Art History and Sitemap

Baroque was the principal European style in the visual arts of the 17th century.

The term covers various national styles that range from the complex and dramatic Italian art of the 17th century to the restrained genre scenes, still-lifes and portraits characteristic of the Dutch Baroque.

In Italy, Caravaggio painted altarpieces and introduced innovations such as dramatic lighting effects that influenced painters like Artemisia Gentileschi. Other artists, such as the Giovanni Battista Gaulli and Pietro da Cortona, executed illusionistic ceiling paintings.

Johannes Vermeer | Girl with a Pearl Earring, 1665

Czech Art History and Sitemap

Alphonse Mucha (Czech Art Nouveau Printmaker, 1860-1939)

Czech art is the visual and plastic arts that have been created in the Czech Republic and the various states that formed the Czech lands in the preceding centuries.

The Czech lands have produced artists that have gained recognition throughout the world, including Alfons Mucha, widely regarded as one of the key exponents of the Art Nouveau style, and František Kupka, a pioneer of abstract art.

The Czech lands have produced several important finds of prehistoric art, notably the Venus of Dolní Věstonice, a pottery Venus figurine of a nude female dated to 29,000–25,000 BC, and a distinct style of Celtic art.

15th century Artists | Sitemap

At the end of the Middle Ages, art across Europe was dominated by a decorative and refined manner known as the International Style.

Ornate, with brilliant color and gilding, it reflected courtly tastes and continued, for some time, to attract patrons in Milan, Ferrara, and other aristocratic Italian cities, even as more naturalistic Renaissance styles began to take root elsewhere.

By the mid-1400s, in Florence especially, both artists and patrons had begun to embrace new subjects and approaches.

Pio Fedi | Love story of Dionora and Ippolito

Ancient Art | Sitemap

Ancient Art refers to the many types of art produced by the advanced cultures of ancient societies with some form of writing, such as those of ancient China, India, Mesopotamia, Persia, Palestine, Egypt, Greece and Rome.

The art of pre-literate societies is normally referred to as prehistoric art and is not covered here.

Although some pre-Columbian cultures developed writing during the centuries before the arrival of Europeans, on grounds of dating these are covered at pre-Columbian art and articles such as Maya art, Aztec art, and Olmec art.

Ancient Rome / La Civiltà romana

Symbolism Art History and Sitemap

Symbolism initially developed as a French literary movement in the 1880s, gaining popular credence with the publication in 1886 of Jean Moréas’ manifesto in Le Figaro.

Reacting against the rationalism and materialism that had come to dominate Western European culture, Moréas proclaimed the validity of pure subjectivity and the expression of an idea over a realistic description of the natural world.

This philosophy, which would incorporate the poet Stéphane Mallarmé’s conviction that reality was best expressed through poetry because it paralleled nature rather than replicating it, became a central tenet of the movement.

Marie Spartali Stillman (1844-1927) Love's Messenger, 1885

Photographers | Art History and Sitemap

The history of photography began in remote antiquity with the discovery of two critical principles: camera obscura image projection and the observation that some substances are visibly altered by exposure to light.

Apart from a possibly photographic but unrecognized process used on the Turin Shroud there are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

Around 1717, Johann Heinrich Schulze captured cut-out letters on a bottle of a light-sensitive slurry, but he apparently never thought of making the results durable.

Frank Horvat, 1928 ~ Pioneer of digital photography

Italian Art History and Sitemap

Italian art has influenced several major movements throughout the centuries and has produced several great artists, including painters, architects and sculptors.

Today, Italy has an important place in the international art scene, with several major art galleries, museums and exhibitions; major artistic centres in the country include Rome, Florence, Venice, Milan, Turin, Genoa, Naples, Palermo, Lecce and other cities.

Italy is home to 53 World Heritage Sites, the largest number of any country in the world.

Leonardo da Vinci | La Gioconda (1503-1505) Musée-du-Louvre

Austrian Art History and Sitemap

Egon Schiele

Austria is known for its contributions to music, especially during the Classical and Romantic periods.

The major work of outsiders such as Ludwig van Beethoven (from Bonn [Germany]), Johannes Brahms (from Hamburg), and - in part - Richard Strauss (from Munich) is no less associated with Vienna than that of such natives of Austria and the empire as Joseph Haydn, Wolfgang Amadeus Mozart, Franz Schubert, Anton Bruckner, Gustav Mahler and Hugo Wolf.

German Art History and Sitemap

August Friedrich Siegert (1786-1869)

German Art has a long and distinguished tradition in the visual arts, from the earliest known work of figurative art to its current output of contemporary art.

Germany has only been united into a single state since the 19th century, and defining its borders has been a notoriously difficult and painful process.

For earlier periods German art often effectively includes that produced in German-speaking regions including Austria, Alsace and much of Switzerland, as well as largely German-speaking cities or regions to the east of the modern German borders.

Abstract Artists | Art History and Sitemap

Abstract art, also called nonobjective art or nonrepresentational art, painting, sculpture, or graphic art in which the portrayal of things from the visible world plays no part.

All art consists largely of elements that can be called abstract - ments of form, color, line, tone, and texture.

Prior to the 20th century these abstract elements were employed by artists to describe, illustrate, or reproduce the world of nature and of human civilization - and exposition dominated over expressive function.

Abstract art has its origins in the 19th century.

The period characterized by so vast a body of elaborately representational art produced for the sake of illustrating anecdote also produced a number of painters who examined the mechanism of light and visual perception.

Robert Delaunay 1885-1941 - Le Premier Disque, 1912-1913

List of Sculptors | Sitemap

Sculpture is the branch of the visual arts that operates in three dimensions.

Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth.

It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process.

Peter Demetz, 1969 ~ Figurative wood sculptor

Art Movements and Styles | Sitemap

An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a restricted period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.

Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde.

Concept

According to theories associated with modernism and the concept of postmodernism, art movements are especially important during the period of time corresponding to modern art.

The period of time called "modern art" is posited to have changed approximately halfway through the 20th century and art made afterward is generally called contemporary art.

Postmodernism in visual art begins and functions as a parallel to late modernism and refers to that period after the "modern" period called contemporary art.

18th-19th century Artists | Sitemap

18th-19th century Artists: Painters, Sculptors, Photographers, Poets, Musicants, Writers and the artistic movements definition

18th century Art

Johan Zoffany | The Tribuna of the Uffizi, 1772-1778

Paris painting | Part.3

Reading / Lettura | Quotes and painting

French Art History and Sitemap

French art consists of the visual and plastic arts (including French architecture, woodwork, textiles, and ceramics) originating from the geographical area of France.

Modern France was the main centre for the European art of the Upper Paleolithic, then left many megalithic monuments, and in the Iron Age many of the most impressive finds of early Celtic art.

The Gallo-Roman period left a distinctive provincial style of sculpture, and the region around the modern Franco-German border led the empire in the mass production of finely decorated Ancient Roman pottery, which was exported to Italy and elsewhere on a large scale.

Pierre-Auguste Renoir | Jeune fille en rose dans un paysage, 1903

British Art History and Sitemap

The Art of the United Kingdom refers to all forms of visual art in or associated with the United Kingdom since the formation of the Kingdom of Great Britain in 1707 and encompass English art, Scottish art, Welsh art and Irish art, and forms part of Western art history.

During the 18th century Britain began to reclaim the leading place England had played in European art during the Middle Ages, being especially strong in portraiture and landscape art.

Surrealist Artists | History and Sitemap

Surrealism originated in the late 1910s and early '20s as a literary movement that experimented with a new mode of expression called automatic writing, or automatism, which sought to release the unbridled imagination of the subconscious.

Officially consecrated in Paris in 1924 with the publication of the Manifesto of Surrealism by the poet and critic André Breton (1896-1966), Surrealism became an international intellectual and political movement.

Breton, a trained psychiatrist, along with French poets Louis Aragon (1897-1982), Paul Éluard (1895-1952) and Philippe Soupault (1897-1990), were influenced by the psychological theories and dream studies of Sigmund Freud (1856-1939) and the political ideas of Karl Marx (1818-1883).

Michael Alfano | Figurative and surrealistic sculptures

American Art History and Sitemap

Visual art of the United States or American art is visual art made in the United States or by U.S. artists.

Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place.

Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-1593) the earliest example.

In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting.

Andrew Wyeth | Christina's World, 1948

Nabis Art | History and Sitemap

Ambitious decorative painting enjoyed a resurgence in Europe from the late 1880s through the early twentieth century.

In Paris, Pierre Bonnard🎨, Maurice Denis🎨 and Édouard Vuillard🎨 were among the most influential artists to embrace decoration as painting’s primary function.

Their works celebrate pattern and ornament, challenge the boundaries that divide fine arts from crafts, and, in many cases, complement the interiors for which they were commissioned.

Disaffected with the rigidly representational painting methods taught at the Académie Julian, Bonnard and Denis joined with other like-minded students in the fall of 1888 to form a brotherhood called the “Nabis”, a Hebrew word meaning “prophets”.

The group was spearheaded by Paul Sérusier🎨, who had visited Paul Gauguin in Pont-Aven over the summer and was now spreading an aesthetic message based on his interpretation of Gauguin🎨’s Symbolism.

Paul Sérusier - The Bois d'Amour à Pont-Aven / The Talisman (Le Talisman), 1888, Musée d'Orsay, Paris

Macchiaioli Art History and Sitemap

The Macchiaioli were a group of Italian painters active in Tuscany in the second half of the nineteenth century, who, breaking with the antiquated conventions taught by the Italian academies of art, did much of their painting outdoors in order to capture natural light, shade and color.

This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes.

Federico Zandomeneghi - Il giubbetto rosso, 1895

Art Nouveau | History and Sitemap

From the 1880s until the First World War, western Europe and the United States witnessed the development of Art Nouveau (“New Art”).

Taking inspiration from the unruly aspects of the natural world, Art Nouveau influenced art and architecture especially in the applied arts, graphic work, and illustration.

Sinuous lines and “whiplash” curves were derived, in part, from botanical studies and illustrations of deep-sea organisms such as those by German biologist Ernst Heinrich Haeckel (1834-1919) in Kunstformen der Natur (Art Forms in Nature, 1899).

Other publications, including Floriated Ornament (1849) by Gothic Revivalist Augustus Welby Northmore Pugin (1812-1852) and The Grammar of Ornament (1856) by British architect and theorist Owen Jones (1809-1874), advocated nature as the primary source of inspiration for a generation of artists seeking to break away from past styles.