Johannes Vermeer | Baroque Era painter

The life and art of Johannes Vermeer (1632-1675) are closely associated with the city of Delft.

He was born in Delft in 1632 and lived there until his death in 1675.

His father, Reynier Vermeer, was a silk weaver who produced caffa, a fine satin fabric, but in 1631 he also registered in the Saint Luke’s Guild in Delft as a master art dealer.

By 1641 he was sufficiently prosperous to purchase a large house, the “Mechelen”, which contained an inn on the market square in Delft and from which he probably also sold paintings.

Caravaggio's hands

Revolutionary in his way of painting, Michelangelo Merisi da Caravaggio (1571-1610) personifies in every aspect of his eventful life the romantic figure of the damned artist.

Caravaggio was a leading Italian painter of the late 16th and early 17th centuries who became famous for the intense and unsettling realism of his large-scale religious works.

Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism.

Johannes Vermeer | Lady with Her Maidservant Holding a Letter, 1667

Lady with Her Maidservant Holding a Letter is a painting produced by Jan Vermeer (Delft, 1632-1675), now in the Frick Collection in New York City.

The work of Johannes Vermeer (also known as Jan), is well known for many characteristics that are present in this painting.

The use of yellow and blue, female models, and domestic scenes are all signatures of Vermeer.

This oil on canvas portrays two women, a Mistress and her Maid, as they look over the Mistress' love letter.

Mistress and Maid was painted over the years 1666-1670 on a canvas.

The painting shows an elegant mistress and her maid as they look over a love letter that the mistress just received.

The Story of Music: A Chronicle of Resonance

The impulse began, as all things do, from a foundational state of near-silence.

Not a void, mind you. A state of potential.

A world teeming with vibration, but lacking organization.

Consider the cave: a resonating chamber.

Water dripping, wind sighing… these were the first notes.

Not "music" as we understand it, but precursors.

The potential for pattern was always present.

Orazio Gentileschi | Young Woman with a Violin (Saint Cecilia), 1612 | Detroit Institute of Arts

Johann Sebastian Bach | The Prelude and Fugue in C major, BWV 846

The Prelude and Fugue in C major, BWV 846, is a keyboard composition written by German composer and musician of the late Baroque period Johann Sebastian Bach (1685-1750).

It is the first prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.

An early version of the prelude, BWV 846A, is found in the Klavierbüchlein für Wilhelm Friedemann Bach.

Francis Sydney Muschamp (British, 1851-1929) | A musical interlude

Peter Paul Rubens | Old woman and boy with candles, 1616-1617

An old woman gazes ahead, shielding her eyes from the candlelight, while the boy behind her holds his candle, ready to be lit.

The panel is painted in the style of Caravaggio, whose work Peter Paul Rubens (1577-1640) had seen in Italy.

This style is characterised by its exciting effects of light and unpolished naturalism.

Rubens did not make this painting to be sold; instead he retained possession of it. He probably used it as study material for the pupils in his studio.

Peter Paul Rubens | Old Woman and Boy with Candles, 1616-1617 | Museum Mauritshuis The Hague

Tomaso Albinoni | 12 Concerti a cinque (op. 9), 1722

12 Concerti a cinque (op. 9) is a collection of concertos by the Italian baroque composer Tomaso Albinoni (1671-1751), published in 1722.

The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2).

It is known for its slow movement.

Leopold Pollak (1806-1880) |A little shepherd playing the oboe at the Claudia Aqueduct on the Roman Campagna", 1857

Ave Maria (Schubert)

"Ellens dritter Gesang" ("Ellens Gesang III", D. 839, Op. 52, No. 6, 1825), in English: "Ellen's Third Song", was composed by Franz Schubert in 1825 as part of his Op. 52, a setting of seven songs from Walter Scott's 1810 popular narrative poem The Lady of the Lake, loosely translated into German.

Giovanni Battista Salvi called Sassoferrato (1609-1685) | The Madonna in prayer | Christie's