Visualizzazione post con etichetta Danish Art. Mostra tutti i post
Visualizzazione post con etichetta Danish Art. Mostra tutti i post
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Out of Africa, 1985

"If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me?
Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?"

Robert Redford and Meryl Streep Shampoo Scene in "Out of Africa"

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Karen Blixen | L'Incontro

Ah, quando sei lontano e nessuno
più nomina il tuo nome -
quando ovunque mi rechi sento
cupo e gelido un vuoto -
comincio a credere che tu sia solo un sogno
nato dalle brame della mia mente,

Charles-Amable Lenoir | Reverie, 1893

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La mia Africa: "Io conosco il canto dell'Africa..", 1985

"Io conosco il canto dell'Africa,
della giraffa e della luna nuova africana distesa sul suo dorso,
degli aratri sui campi e delle facce sudate delle raccoglitrici di caffè,
ma l'Africa conosce il mio canto?
L'aria sulla pianura fremerà un colore che ho avuto su di me?
E i bambini inventeranno un gioco nel quale ci sia il mio nome?
O la luna piena far un'ombra sulla ghiaia del viale che mi assomigli?
E le aquile sulle colline Ngong guarderanno se ci sono?"

Meryl Streep in "La mia Africa" / "Out of Africa"

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Eberhard Keil | Pupil of Rembrandt

Eberhard Keil or Keyl dit Monsù Bernardo (1624-1687) was a Danish Baroque painter who became a pupil of Rembrandt.
Keil was born in Helsingør.
According to the RKD he was a pupil of the Danish painter Morten Steenwinkel, who became a pupil of Rembrandt in Amsterdam in the years 1642-1644.


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Skagen painters | Art History and Sitemap

The Skagen Painters (Danish: Skagensmalerne) were a group of Scandinavian artists who gathered in the village of Skagen, the northernmost part of Denmark, from the late 1870s until the turn of the century.
Skagen was a summer destination whose scenic nature, local milieu and social community attracted northern artists to paint en plein air, emulating the French Impressionists - though members of the Skagen colony were also influenced by Realist movements such as the Barbizon school.
They broke away from the rather rigid traditions of the Royal Danish Academy of Fine Arts and the Royal Swedish Academy of Arts, espousing the latest trends that they had learned in Paris.

Peder Severin Krøyer | Summer Evening at Skagen Beach - The Artist and his Wife, 1899 | Hirschsprung Collection

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Ivan Malinowski | Adesso è il momento..!

Adesso è il momento di fare ciò che ti piace.
Non aspettare lunedì, non aspettare domani.
Non fare allungare davanti a te la carovana
di sogni calpestati. Non aspettare.

Non frenarti per paura o viltà.
Non posporre la vita con altra morte,
e non aspettare niente dalla sorte
che non sia più della tua tenacia e della tua energia.


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Camille Pissarro | La charcutiére, 1883

Like 'The Little Country Maid', this painting was executed while the artist lived near Pontoise, north-west of Paris.
During the 1880s he became interested in painting rural market scenes, several of which were based on the markets at Pontoise and its neighbouring villages.
Such subjects allowed Pissarro to combine the study of the human figure with depictions of outdoor scenes of everyday rural life.
Although he wrote to his son Lucien that he wished the painting to have a 'certain naive freshness', hence the light and informal brushstrokes, the central figure of the 'charcutière' was painted from the model and the pose carefully studied.

Camille Pissarro | La charcutiére, 1883 | Tate Gallery

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Louise Camille Fenne, 1972 | Magic realism painter

Louise Camille Fenne was born in Copenhagen, Denmark.
Having a Danish father and an English mother, she grew up and went to school in both Denmark and England.
Louise studied drawing in Aix-en Provence, France and at The Glyptotek, Copenhagen, before enrolling at The Florence Academy of Art in 1995, being intrigued by the possibility of studying traditional painting and drawing techniques.