Visualizzazione post con etichetta Flemish Art. Mostra tutti i post
Visualizzazione post con etichetta Flemish Art. Mostra tutti i post
Joachim Patinir | Renaissance painter

Joachim Patinir | Renaissance painter


Joachim Patinir, in full Joachim de Patinir, Patinir also spelled Patinier or Patenier, (1485, Bouvignes or Dinan, Namur, Belgium - October 5, 1524, Antwerp), Flemish painter, the first Western artist known to have specialized in landscape painting.
Little is known of his early life, but his work reflects an early knowledge of the painting of Gerard David, the last of the Early Netherlandish painters.
He may have studied under Hiëronymus Bosch, the painter of fantastic allegories and landscapes.

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Joachim Patinir | Renaissance painter


Joachim Patinir, in full Joachim de Patinir, Patinir also spelled Patinier or Patenier, (1485, Bouvignes or Dinan, Namur, Belgium - October 5, 1524, Antwerp), Flemish painter, the first Western artist known to have specialized in landscape painting.
Little is known of his early life, but his work reflects an early knowledge of the painting of Gerard David, the last of the Early Netherlandish painters.
He may have studied under Hiëronymus Bosch, the painter of fantastic allegories and landscapes.

Paolo Fiammingo | Mannerist painter

Paolo Fiammingo | Mannerist painter

Pauwels Franck - known in Italy as Paolo Fiammingo and Paolo dei Franceschi (1540-1596), was a Flemish painter, mainly of landscapes with mythological and religious scenes, who was active in Venice for most of his life.
He was likely born c. 1540 but his birthplace is not known. He became a member of the Antwerp Guild of Saint Luke in 1561.
He is recorded in Venice from 1573 but was likely an assistant in Tintoretto’s workshop there already in the 1560s.
He worked in Venice for the rest of his career.


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Paolo Fiammingo | Mannerist painter

Pauwels Franck - known in Italy as Paolo Fiammingo and Paolo dei Franceschi (1540-1596), was a Flemish painter, mainly of landscapes with mythological and religious scenes, who was active in Venice for most of his life.
He was likely born c. 1540 but his birthplace is not known. He became a member of the Antwerp Guild of Saint Luke in 1561.
He is recorded in Venice from 1573 but was likely an assistant in Tintoretto’s workshop there already in the 1560s.
He worked in Venice for the rest of his career.


Master of the Female Half-Lengths | Renaissance painter

Master of the Female Half-Lengths | Renaissance painter

The Master of the Female Half-Lengths, active ca.1530-1540, was a Dutch Northern Renaissance painter* or likely a group of painters of a workshop.
The name was given in the 19th century to identify the maker or makers of a body of work consisting of 67 paintings to which since 40 more have been added.
The works were apparently the product of a large workshop that specialized in small-scale panels depicting aristocratic young ladies at half-length.


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Master of the Female Half-Lengths | Renaissance painter

The Master of the Female Half-Lengths, active ca.1530-1540, was a Dutch Northern Renaissance painter* or likely a group of painters of a workshop.
The name was given in the 19th century to identify the maker or makers of a body of work consisting of 67 paintings to which since 40 more have been added.
The works were apparently the product of a large workshop that specialized in small-scale panels depicting aristocratic young ladies at half-length.


Peter Paul Rubens | Old woman and boy with candles, 1616-1617

Peter Paul Rubens | Old woman and boy with candles, 1616-1617

An old woman gazes ahead, shielding her eyes from the candlelight, while the boy behind her holds his candle, ready to be lit.
The panel is painted in the style of Caravaggio, whose work Peter Paul Rubens (1577-1640) had seen in Italy.
This style is characterised by its exciting effects of light and unpolished naturalism.
Rubens did not make this painting to be sold; instead he retained possession of it. He probably used it as study material for the pupils in his studio.

Peter Paul Rubens | Old Woman and Boy with Candles, 1616-1617 | Museum Mauritshuis The Hague

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Peter Paul Rubens | Old woman and boy with candles, 1616-1617

An old woman gazes ahead, shielding her eyes from the candlelight, while the boy behind her holds his candle, ready to be lit.
The panel is painted in the style of Caravaggio, whose work Peter Paul Rubens (1577-1640) had seen in Italy.
This style is characterised by its exciting effects of light and unpolished naturalism.
Rubens did not make this painting to be sold; instead he retained possession of it. He probably used it as study material for the pupils in his studio.

Peter Paul Rubens | Old Woman and Boy with Candles, 1616-1617 | Museum Mauritshuis The Hague

Wisława Szymborska | Ruben's Women

Wisława Szymborska | Ruben's Women

Herculasses, a feminine fauna.
Naked as the crashing of barrels.
Cooped up atop trampled beds.
They sleep with mouths poised to crow.
Their pupils have retreated in the depths,
and penetrate to the heart of their glands,
trickling yeast into their blood.

Peter Paul Rubens | Venus in Front of the Mirror, (1614-1615) | Museo Nacional del Prado

Daughters of the Baroque. Dough bloats in a bowl,
baths are steaming, wines are blushing.
piglets of cloud are dashing across the sky,
trumpets neigh in physical alarm.

O pumpkinned, O excessive ones,
doubled by your unveiling,
trebled by your violent poses,
fat love dishes.

Peter Paul Rubens | Mars and Rhea Silvia, 1617

Their skinny sisters got up earlier,
before dawn broke within the painting,
and no one saw them walking single file
on the unpainted side of the canvas.
Exiles of style. Ribs all counted.


Birdlike feet and hands.
They try to ascend on gaunt shoulderblades.
The thirteenth century would have given them a golden backdrop.
The twentieth, a silver screen.

But the seventeenth has nothing for the flat-chested.
For even the sky curves in relief -
curvaceous angles, a curvaceous god -
a moustached Apollo astride a sweaty steed
enters the steaming bedchamber.

Wisława Szymborska (Polish poet, essayist, translato, and recipient of the 1996 Nobel Prize in Literature, 1923-2012)

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Wisława Szymborska | Ruben's Women

Herculasses, a feminine fauna.
Naked as the crashing of barrels.
Cooped up atop trampled beds.
They sleep with mouths poised to crow.
Their pupils have retreated in the depths,
and penetrate to the heart of their glands,
trickling yeast into their blood.

Peter Paul Rubens | Venus in Front of the Mirror, (1614-1615) | Museo Nacional del Prado

Daughters of the Baroque. Dough bloats in a bowl,
baths are steaming, wines are blushing.
piglets of cloud are dashing across the sky,
trumpets neigh in physical alarm.

O pumpkinned, O excessive ones,
doubled by your unveiling,
trebled by your violent poses,
fat love dishes.

Peter Paul Rubens | Mars and Rhea Silvia, 1617

Their skinny sisters got up earlier,
before dawn broke within the painting,
and no one saw them walking single file
on the unpainted side of the canvas.
Exiles of style. Ribs all counted.


Birdlike feet and hands.
They try to ascend on gaunt shoulderblades.
The thirteenth century would have given them a golden backdrop.
The twentieth, a silver screen.

But the seventeenth has nothing for the flat-chested.
For even the sky curves in relief -
curvaceous angles, a curvaceous god -
a moustached Apollo astride a sweaty steed
enters the steaming bedchamber.

Wisława Szymborska (Polish poet, essayist, translato, and recipient of the 1996 Nobel Prize in Literature, 1923-2012)

5 Masterpieces from the Hermitage

5 Masterpieces from the Hermitage

The State Hermitage Museum / Государственный Эрмитаж has been open to the public since 1852.
It was founded in 1764 when Empress Catherine the Great acquired a collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky.
The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day.

Antonio Canova | Hebe, 1800-1805

Hebe is one of the most famous works of Antonio Canova (1757-1822), an outstanding Neoclassical sculptor of the late 18th - early 19th century.
According to ancient myth, Hebe was the daughter of Zeus and Hera and was the embodiment of youth.
As serving-maid to the gods on Mount Olympus, she was responsible for bringing round cups of nectar, the drink of eternal youth and immortality, during feasts.
Canova depicted the goddess flitting swiftly and easily across the clouds, hardly touching them with the toes of her bare feet. | © Hermitage Museum, St. Petersburg

Antonio Canova (1757-1822) | Hebe, 1800-1805 | Hermitage Museum, St. Petersburg

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5 Masterpieces from the Hermitage

The State Hermitage Museum / Государственный Эрмитаж has been open to the public since 1852.
It was founded in 1764 when Empress Catherine the Great acquired a collection of paintings from the Berlin merchant Johann Ernst Gotzkowsky.
The museum celebrates the anniversary of its founding each year on 7 December, Saint Catherine's Day.

Antonio Canova | Hebe, 1800-1805

Hebe is one of the most famous works of Antonio Canova (1757-1822), an outstanding Neoclassical sculptor of the late 18th - early 19th century.
According to ancient myth, Hebe was the daughter of Zeus and Hera and was the embodiment of youth.
As serving-maid to the gods on Mount Olympus, she was responsible for bringing round cups of nectar, the drink of eternal youth and immortality, during feasts.
Canova depicted the goddess flitting swiftly and easily across the clouds, hardly touching them with the toes of her bare feet. | © Hermitage Museum, St. Petersburg

Antonio Canova (1757-1822) | Hebe, 1800-1805 | Hermitage Museum, St. Petersburg

Sir Anthony Van Dyck | Baroque painter

Sir Anthony Van Dyck | Baroque painter

Sir Anthony van Dyck (1599-1641) was the most important Flemish painter of the 17th century after Rubens, whose works influenced the young Van Dyck.
He also studied and was profoundly influenced by the work of Italian artists, above all, Titian.
Anthony van Dyck studied under Peter Paul Rubens and was one of his most accomplished students.


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Sir Anthony Van Dyck | Baroque painter

Sir Anthony van Dyck (1599-1641) was the most important Flemish painter of the 17th century after Rubens, whose works influenced the young Van Dyck.
He also studied and was profoundly influenced by the work of Italian artists, above all, Titian.
Anthony van Dyck studied under Peter Paul Rubens and was one of his most accomplished students.


Pieter Bruegel il Vecchio | Il viaggio in Italia

Pieter Bruegel il Vecchio | Il viaggio in Italia

Pieter Bruegel o Brueghel (1525/1530-1569) fu tra gli artisti più significativi della pittura rinascimentale Olandese e Fiamminga, pittore ed incisore, noto per i suoi paesaggi e scene contadine (la cosiddetta pittura di genere); fu un pioniere nel presentare entrambi i tipi di soggetti come dipinti di grandi dimensioni.
È generalmente indicato come il Vecchio per distinguerlo dal figlio primogenito, Pieter Bruegel il Giovane.
Anche il secondogenito Jan Brueghel il Vecchio, seguì le orme paterne e così pure il nipote Jan Brueghel il Giovane.

Pieter Bruegel il Vecchio | Naval Battle in the Gulf of Naples, 1560

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Pieter Bruegel il Vecchio | Il viaggio in Italia

Pieter Bruegel o Brueghel (1525/1530-1569) fu tra gli artisti più significativi della pittura rinascimentale Olandese e Fiamminga, pittore ed incisore, noto per i suoi paesaggi e scene contadine (la cosiddetta pittura di genere); fu un pioniere nel presentare entrambi i tipi di soggetti come dipinti di grandi dimensioni.
È generalmente indicato come il Vecchio per distinguerlo dal figlio primogenito, Pieter Bruegel il Giovane.
Anche il secondogenito Jan Brueghel il Vecchio, seguì le orme paterne e così pure il nipote Jan Brueghel il Giovane.

Pieter Bruegel il Vecchio | Naval Battle in the Gulf of Naples, 1560