Joaquín Sorolla, lo Spagnolo della Belle Époque

Joaquín Sorolla y Bastida (1863-1923) è stato un pittore Spagnolo, un luminare nel regno dell'arte, maestro della luce, del colore e dello spirito vibrante della Spagna.

Annoverato fra i rinnovatori della pittura spagnola in chiave impressionista, è tra i pittori più prolifici, con un catalogo di più di 2.200 opere.

Joaquín Sorolla nacque a Valencia in Spagna il 27 febbraio 1863.

Rimasto orfano di entrambi i genitori a soli due anni d'età fu allevato nella famiglia di una zia materna insieme alla sorella Eugenia.

Manifestò presto la sua attitudine al disegno.

José Mongrell i Torrent | Genre painter

José Mongrell i Torrent (1870-1937) was a Spanish painter, born in Valencia and died in Seville.

He studied at the San Carlos School of Fine Arts with Ignacio Pinazo (1849-1916).

During this formative period, he already showed his skills as a portraitist and entered the National Exhibition of Fine Arts in Madrid for the first time, where he would continue participating throughout his career.

Vincent van Gogh | The Factory at Asnières, 1887

In the late nineteenth century, the French landscape was becoming increasingly marked by signs of industry.

Van Gogh depicts a glass factory in Asnières, a suburb northwest of Paris where the artist painted frequently in the summer of 1887.

The round objects stacked along the sides of the pathway are balls of glass awaiting melting inside the buildings.

They would have been formed into lantern globes for gas streetlights and interior fixtures. | Source: © The Barnes Foundation

Vincent van Gogh | The Factory at Asnières, Summer, 1887 | The Barnes Foundation

Nikolay Dubovskoy | Romantic painter

Nikolay Nikanorovich Dubovskoy / Николай Никанорович Дубовской (1859-1918) was a Russian landscape painter, associated with the Peredvizhniki.

Together with Isaac Levitan, he helped create what came to be known as the "Landscape of Mood".

He displayed artistic talent at an early age; copying illustrations from Niva and other popular magazines.

Claude Monet | Woman Seated under the Willows, 1880

A woman sits among loosely painted, crescent-shape blades of emerald and lemon-lime green grass, under tall trees in this vertical scene.

The brushstrokes are unconnected and visible, so many of the details difficult to make out.

Facing our left almost in profile, the woman’s form is suggested with thick strokes of eggshell white, periwinkle blue, mint green, and deep pink.

We get the impression of a light-colored dress that pools around her hips and legs, and a hat atop dark hair. Her face is painted with an area of blush peach.

Claude Monet | Woman Seated under the Willows, 1880 | National Gallery of Art, Washington, D.C.

Gabriele D'Annunzio | I pastori / The Shepherds

Settembre, andiamo. È tempo di migrare.

Ora in terra d'Abruzzi i miei pastori

lascian gli stazzi e vanno verso il mare:

scendono all'Adriatico selvaggio

che verde è come i pascoli dei monti.

Giovanni Segantini | Mezzogiorno sulle Alpi / Midday in the Alps, 1891

Gabriele D’Annunzio | La pioggia nel pineto / The rain in the pinewood

Taci. Su le soglie

del bosco non odo

parole che dici

umane; ma odo

parole più nuove

che parlano gocciole e foglie

lontane.

Claude Monet | The Rain (La pluie), 1886-1887

Pierre-Auguste Renoir | The Bay of Naples, 1881

The corner of the balcony visible at lower left in this composition indicates Renoir’s vantage point overlooking the bay of Naples.

His position afforded an iconic view of the harbor with the volcano Mount Vesuvius in the background, wafting smoke into the sky.

Inspired by the southern Italian light, Renoir painted another version of this vista at a different time of day (The Clark Art Institute, Williamstown, Mass.).

James Duncan, a wealthy sugar refiner, purchased the present work in 1883, making it the first Impressionist picture acquired by a Scottish collector.

Pierre-Auguste Renoir | The Bay of Naples, 1881 | Metropolitan Museum of Art

Alfred H. Maurer | Post-impressionist painter

Alfred Henry Maurer (1868-1932) was an American Modernist painter.

He exhibited his work in avant-garde circles internationally and in New York City during the early twentieth century.

Highly respected today, his work met with little critical or commercial success in his lifetime, and he died, a suicide, at the age of sixty-four.

Ferdinand du Puigaudeau | Neo-Impressionist painter

French painter Ferdinand Loyen du Puigaudeau (1864-1896) is often known for his mystical scenes of processions and carnivals around Pont Aven and by his association with the Gauguin and the Pont Aven School.

Still, after Gauguin moved on to the Pacific and many of the other artists of the group to Paris, Puigaudeau remained on the coast, moving an estate called Kervaudu at Le Croisic, near the mouth of the Loire.

Once there, he turned his attention to the beautiful landscape of the region: coastal cliffs with twisting fig trees, flowering fields dotted with small villages.

Gioacchino La Pira | The Blue Grotto on Capri island

The Blue Grotto / Grotta Azzurra, is a sea cave on the coast of the island of Capri, southern Italy.

Sunlight shining through an underwater cavity is reflected back upward through the seawater below the cavern, giving the water a blue glow that illuminates the cavern.

The cave extends some 50 metres into the cliff at the surface, and is about 150 metres (490 ft) deep, with a sandy bottom.

Gioacchino La Pira | The Blue Grotto on Capri island

The Blue Grotto is one of several sea caves worldwide that is flooded with a brilliant blue or emerald light.

The quality and nature of the color in each is determined by its unique combination of depth, breadth, water clarity, and light source.

Lionel Walden | Seascape painter

A famous painter of seascapes and marine scenes, Lionel Walden (1861-1933) was born in Connecticut.

He first became interested in art in Minnesota, where the family moved when his father became rector of an Episcopal Church there.

As a young man Walden moved to Paris where he studied with E. A. Carolus-Duran.

Odilon Redon | Portrait of Marie Botkine, 1900

Odilon Redon | Portrait of the ceramist Marie Botkin, pastel | Musée d'Orsay, Paris, France

Portrait of Marie Botkine

Autor: Odilon Redon (1840-1916)

Date: 1900

Style: Symbolism

Genre: Portrait

Media: Pastel, paper

Dimensions: 48 x 64 cm

Location: Musée d'Orsay, Paris, France

Adolph von Menzel | Realist painter

Adolf von Menzel, in full Adolf Friedrich Erdmann von Menzel (1815-1905), German painter and printmaker, best known in his own day as a brilliant historical painter, whose patriotic works satisfied the public’s taste, engendered by Prussia’s continual expansion throughout the 19th century, for propagandistic art.

In the 20th century he was chiefly esteemed for his sensitive treatment of light and the original compositions of his small genre pictures.

Pierre-Auguste Renoir: "La mia Italia" | Le lettere..

Italia, autunno 1881.

Alla signora Charpentier,

Dovevo pranzare un mattino con voi, e mi avrebbe fatto infinitamente piacere, perché è già passato tanto tempo.

Ma sono diventato improvvisamente viaggiatore e mi ha preso la febbre di vedere Raffaello .

Pierre-Auguste Renoir | Un jardin à Sorrente, 1881 | Sotheby's

Hugo Salmson | Genre painter

Born in Stockholm, Hugo Fredrik Salmson (1843-1894) was a Swedish painter, known for figures and genre scenes.

He was the son of Fredrik Ludvig Salmson, a wholesaler, and his wife Maria Perlberg.

He initially studied business, but soon decided on an artistic career.

In 1862, he began his studies at the Royal Swedish Academy of Fine Arts where he was trained by Johan Christoffer Boklund.

Alfred Boucher | The Mentor to Camille Claudel

A French sculptor and painter, Alfred Boucher (1850-1934), was Camille Claudel's teacher and the founder of the artists' city La Ruche in Paris.

Born in Bouy-sur-Ovin (Nogent-sur-Seine), he was the son of a farmhand who became the gardener of the sculptor Joseph-Marius Ramus, who, after recognizing Boucher's talent, opened his studio to him.

He won the Grand Prix du Salon in 1881 with La Piété Filiale.

Jean-François Millet: "To tell the truth, peasant subjects suit my nature best.."

• "Art will never come except from some small disregarded corner where an isolated and inspired man is studying the mysteries of nature".

• "L'arte non verrà mai se non da qualche piccolo angolo trascurato dove un uomo isolato e ispirato sta studiando i misteri della natura".

Sidney Meteyard | Pre-Raphaelite painter

Sidney Harold Meteyard RBSA (1868-1947) was an English art teacher, painter and stained-glass designer.

A member of the Birmingham Group, he worked in a late Pre-Raphaelite style heavily influenced by Edward Burne-Jones and the Arts and Crafts Movement.

Meteyard was born in Stourbridge, his father was Oswald George Meatyard (d. 4 May 1906) and mother Emma Maria Meatyard, née Rutland (1838-1925).

He studied under Edward R. Taylor at the Birmingham School of Art, where he was to later teach for 45 years himself from 1886.

Pierre Puvis de Chavannes | Symbolist painter

French painter Pierre Cécile Puvis de Chavannes (1824-1898) is known for his mural painting - large-scale decorative painting - in the Symbolism style.

Puvis's work is seen as symbolist in nature, even though he studied with some of the romanticists, and he is credited with influencing an entire generation of painters and sculptors, particularly the works of the Modernists.

One of his protégés was Georges de Feure.