Ukrainian painter Андрей Карташов was born in the city of Uzhgorod, the ancient capital of Transcarpathia, in western Ukraine. The picturesque slopes of the Carpathian mountains, the majestic open spaces, the mossy stones and ancient castles awakened in him a special feeling for the world around him, and that finally led him to the decision to devote his life to art. In 1995, Andrey graduated with honors from the College of Applied Arts of Uzhgorod. His senior project was recognized as the best end-of-study project of the year, and earned him the right to enroll, without entrance examinations, at the Lvov Academy of Arts. However, for Andrey, study at Lvov would not be sufficient; only the best academy for art, that in St. Petersburg, would satisfy his desire for the highest quality instruction possible. Once in St. Petersburg, no longer surrounded by the bright and enchanting natural beauty of Carpathia, Andrey was forced to learn a more difficult skill: to distinguish the various shades of St. Petersburg’s grey.
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Andrey Kartashov, 1974
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Philippe Augé, 1935 | Surrealist painter
With unusually high praise from the modern master, George Braque, the young French artist Philippe Augé embarked on a painting career which, since the 1950’s has catapulted him into a meaningful position in the contemporary art arena.
Braque’s assessment represents the quintessence of all the qualities associated with Augé’s work today.
Recognized primarily for his delicately balanced figures and lush still lifes, his paintings vibrate with a gamut of rich color which recalls instantly the panoply of Renaissance painting.

Salvador Dalì ~ Toreador allucinogeno

Ancient Petra | Hellenistic architecture
Petra is known primarily for its Hellenistic architecture.
The facades of the tombs in Petra are commonly rendered in Hellenistic style, reflecting the number of diverse cultures which the Nabataens traded, all of which were in turn influenced by Greek culture.
Most of these tombs contain small burials niches carved into the stone.
Perhaps the best example of the Hellenistic style is seen in the Treasury, which is 24 meters (79 ft) wide and 37 meters (121 ft) tall and references the architecture of Alexandria.

Angel of Grief /L'Angelo del dolore, 1894
William Wetmore Story [1819-1895] was an American sculptor, art critic, poet and editor. Angel of Grief is an 1894 sculpture by William Wetmore Story which serves as the grave stone of the artist and his wife at the Protestant Cemetery, Rome.
A replica located in Palo Alto, California was made in 1901 to honor Henry Lathrop, brother to Jane Stanford, Stanford University co-founder, but was severely damaged in the San Francisco earthquake of 1906, leading to its replacement in 1908. After years of neglect, the 1908 replacement was fully restored in 2001. This style of monument is also referred to as "Weeping Angel".

Jake Baddeley, 1964 | Magic Realism painter
Baddeley combines a masterful technique with provocative imagery in which he invites the viewer into a strange and magical world of his own.
Artist Statement: "All is proportion. I am sitting, a cup of tea, some good music, a brush in hand and i am gone.
There is nothing better: I forget where I am, who I am, and all sense of time.
As Picasso once said: "I leave my body outside the studio." Or something like that...
I am working on a picture of a lady on a mechanical horse.

Roger Arndt, 1959 | Landscape painter
Canadian painter** Roger D. Arndt has had a remarkable career since he began painting full time at the age of 14. He sold his first oil painting while still a teenager, and within a few years became a self-sustaining artist.
His unique style continues to evolve; recent paintings feature bolder colours and scenes from his native Okanagan, in addition to his preferred subjects, the mountains and forests of Western Canada.
Today, his work is featured in private and major corporate collections throughout North America, and his following extends as far as Japan.
His unique style continues to evolve; recent paintings feature bolder colours and scenes from his native Okanagan, in addition to his preferred subjects, the mountains and forests of Western Canada.
Today, his work is featured in private and major corporate collections throughout North America, and his following extends as far as Japan.

Boris Indrikov /Борис Индриков, 1967 | Magical Realism painter
Russian painter* Борис Индриков was born in Leningrad, Russia. He graduated from the Art School as graphic designer. He worked for the Scientific Journal of Chemistry as illustrator.
In 1994 he started his career as independent painter. His creativity is mainly expressed in a mystical realism, not seldom inspired by Eastern cultures.
In 1994 he started his career as independent painter. His creativity is mainly expressed in a mystical realism, not seldom inspired by Eastern cultures.

Antonio Masini (1933-2018)
Antonio Masini nasce a Calvello (Potenza) nel 1933. Compie gli studi classici e subito dopo frequenta lo studio di Domenico Spinosa dell’Accademia di BB.AA. di Napoli.
Nel 1960 si laurea in giurisprudenza.
Nello stesso anno partecipa alla Mostra Nazionale di Pittura “1º Centenario della Rivoluzione Lucana” e gli viene assegnato il primo premio.
Nel 1970 espone con altri sette pittori italiani al Palms Shore Club Gallery di New York.
Nel 1972 espone con un gruppo di artisti umbro-toscani al Palazzo dei Priori a Perugia.
Con la Galleria Sant’Ambroeus di Milano partecipa nel 1975 e ’76 al Salon International d’Art, Art 6’75 e Art 7’76 a Basilea (Svizzera).

Victor Koulbak / Виктор Кульбак, 1946
Victor Koulbak was born in 1946 in Moscow, where he studied at the Art School from 1958-1964.
He then spent two years working as a draughtsman for various publishing houses. In 1966, he was admitted to the Polygraphic Institute of Moscow, where he studied for three years.
He then continued to work as an illustrator to earn his living. Five exhibitions in which he tried to show his work were closed down two-to-three hours after opening.
He then spent two years working as a draughtsman for various publishing houses. In 1966, he was admitted to the Polygraphic Institute of Moscow, where he studied for three years.
He then continued to work as an illustrator to earn his living. Five exhibitions in which he tried to show his work were closed down two-to-three hours after opening.
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