Le Pont des Arts/The Bridge of Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the River Seine. It links the Institut de France and the central square (cour carrée) of the Palais du Louvre, (which had been termed the "Palais des Arts" under the First French Empire).
Between 1802-1804, under the reign of Napoleon I, a nine-arch metallic bridge for pedestrians was constructed at the location of the present day Pont des Arts: this was the first metal bridge in Paris. The engineers Louis-Alexandre de Cessart and Jacques Dillon initially conceived of a bridge which would resemble a suspended garden, with trees, banks of flowers and benches.
British painter Joe Bowen lives in the heart of mid Wales with his family, amongst rolling hills and valleys which provide a constant source of inspiration.
Joe’s professional painting career spans over 15 years, during which time his work has developed from traditional figurative painting through a number of stages, to the more liberal and vigorous style he now employs.
Jean-Francois Raffaëlli was born in Paris into a bourgeois family in which he enjoyed a privileged childhood until the age of fourteen when a reversal of his father's business fortunes forced him to seek employment. He held a series of jobs before being placed, unwillingly, in a commercial house as a book-keeper at the age of sixteen. While working there, he began to visit the Louvre and to spend his Sundays in the Musée de Luxembourg. His initial artistic interest was in drawing and as he developed this passion, he gave up his job and supported himself by singing in theatres and churches.
Sarah Kidner was born in 1964. After much travelling, Sarah and her family moved to Ontario in 1969. Growing up in Toronto, Sarah was exposed to and inspired by many great art exhibitions from the Group of Seven to the French Impressionists. At the University of Toronto she studied history and philosophy. A love of skiing, hiking and travelling drew Sarah to Banff in 1987. Now living in Alberta with her twin boys, she finds the Rocky Mountains an ideal setting for creative inspiration.
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Hendrik Willem Mesdag, born in a wealthy Groningen family of bankers, worked in his father’s business till the age of thirty-five. After an inheritance of his wife, Sientje van Houten, had rendered him independent, he abandoned his secure position at his father’s bank and followed his artistic ambitions. During a four years stay in Brussels he served his apprenticeship with the famous landscapist Willem Roelofs and grew familiar with the art of the Barbizon School, sharing their fascination for working in the open air (En plein air).
After a stay on the German island Norderney in 1868, Mesdag got fascinated by the sea.
